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Impersonating an officer of the Spanish Royal Navy, impersonating a cleric of the Church of England…

A dog has no use for fancy cars, big homes, or designer clothes. A water log stick will do just fine. A dog doesn’t care if your rich or poor, clever or dull, smart or dumb. Give him your heart and he’ll give you his. How many people can you say that about? How many people can make you feel rare and pure and special? How many people can make you feel extraordinary?

Interviewer (himself): How do you know so much?
Aron: I will tell you. I volunteer for the rescue service. I’m something of a, big fucking hard hero. I can do everything on my own.
Interviewer: I do see. Is it true that despite …or maybe because you’re a fucking hard hero … You didn’t tell anyone where you were going?
Aron: Yeah, that’s absolutely correct.
Interviewer: Anyone?
Aron: Anyone.
Interviewer: Oops!
Aron: Oops.

Nobody notices when we leave. I mean, the moment when we really choose to go. At best you might feel, a whisper or the wave of a whisper, undulating down. My name is Salmon, like the fish. First name: Susie. I was 14 years old, when I was murdered on December 6th 1973. I was here for a moment, and then I was gone. I wish you all, a long, and happy life.

Ryan: How much does your life weigh? Imagine for a second that you’re carrying a backpack. I want you to feel the straps on your shoulders. Feel them? Now I want you to pack it with all the stuff that you have in your life. You start with the little things, the things on shelves and in drawers, the knickknacks, the collectibles. Feel the weight as that adds up. Then you start adding larger stuff, clothes, tabletop appliances, lamps, linens, your TV. The backpack should be getting pretty heavy now. And you go bigger. Your couch, bed, your kitchen table. Stuff it all in there. Your car, get it in there. Your home, whether it’s a studio apartment or a two-bedroom house. I want you to stuff it all into that backpack. Now try to walk. It’s kind of hard, isn’t it? This is what we do to ourselves on a daily basis. We weigh ourselves down until we can’t even move. And make no mistake, moving is living. Now, I’m gonna set that backpack on fire. What do you want to take out of it? Photos? Photos are for people who can’t remember. Drink some ginkgo and let the photos burn. In fact, let everything burn and imagine waking up tomorrow with nothing. It’s kind of exhilarating, isn’t it? 

Harper Pitt: Valium, I take Valium. Lots of Valium.
Prior Walter: And you’re dancing as fast as you can.
Harper Pitt: I’m not addicted. I don’t believe in addiction and I… I never drink and I never take drugs.
Prior Walter: Well, smell you, Nancy Drew.
Harper Pitt: Except for Valium.
Prior Walter: Except Valium in wee fistfuls.
Harper Pitt: It’s terrible. Mormons are not supposed to be addicted to anything. I’m a Mormon.
Prior Walter: I’m a homosexual.
Harper Pitt: Oh. In my church, we don’t believe in homosexuals.
Prior Walter: In my church, we don’t believe in Mormons.

Prior: I usually say, “Fuck the truth,” but mostly, the truth fucks you.
Harper: I see something else about you…
Prior: Oh?
Harper: Deep inside you, there’s a part of you, the most inner part, entirely free of disease. I can see that.
Prior: Is that… That isn’t true.
Harper: Threshold of revelation.

When I was young, I was a bit special but not special in a good way. I was always late everywhere because I was stuck in my world. I would look at things in the courtyard in the streets for hours. I even think I could hear voices but not the kind that tells you to save the world- other kind of voices. We’ve got two willies! Move it! Move it! Some parents would have been seriously worried, the doctors had prescribed tons of new medications but my mother said “no.” She just got me a polaroid camera and instead of looking at things for hours, I just photographed them.

I shall die here. Every inch of me will perish. Every inch but one. An inch… It is small, and fragile, and it is the only thing in the world worth having. We must never lose it or give it away. We must never let them take it from us. I hope that, whoever you are, you escape this place. I hope that the world turns and things get better. But I hope must of all that you understand that even though I will never meet you, laugh with you, cry with you, or kiss you, I love you. With all my heart, I love you.

Hallie Parker: I live in Napalm, that’s Northern California. And I live near a vineyard

Friends: A what yard?
Hallie Parker: A vineyard. It’s where you grow grapes and make wine. 

Martin, the James’ Butler: Shall we review your mother’s list? 
Annie: Mm-hmm. 
Martin, the James’ Butler: Now, let’s see. Vitamins? 
Annie: Check. 
Martin, the James’ Butler: Minerals? 
Annie: Check. 
Martin, the James’ Butler: List of daily fruits and vegetables? 
Annie: Check, check. 
[Martin glances at Annie] 
Annie: Check for fruits, check for vegetables. Go on. 
Martin, the James’ Butler: Sunblock, lip balm, insect repellent, stationery, stamps, photographs of your mother, grandfather, and of course, your trusty butler, me. 
Annie: Got it all, I think. 
Martin, the James’ Butler: Oh, and here’s a little something from your grandfather. 
[Holds up a deck of cards] 
Martin, the James’ Butler: Spanking new deck of cards. Maybe you’ll actually find someone on this continent who can whip your tush at poker. 
Annie: Well, I doubt it, but thanks, Martin.

Hallie: [playing poker with Annie at camp] I’ll tell you what. I’ll make you a little deal. Loser jumps into the lake after the game. 
Annie: Excellent. 
Hallie: Butt naked. 
Annie: Even more excellent. Start unzipping Parker. Straight, in diamonds. 
Hallie: You’re good James, but, you’re just not good enough. In your honor, a royal flush.Annie: That girl is without a doubt, the lowest, most awful creature to ever walk the planet!

Hallie: [watching from outside] Thank you, thank you very much.

Annie: Okay, this is Grandfather… 

Hallie: He’s so cute! What do we call him? 
Annie: Grandfather… 
Hallie: Why didn’t I think of that?… 

Annie: Don’t shut your eyes!
Hallie: Oh, okay. Right. Sorry. Just got a little nervous.
Annie: You‘re nervous? An eleven year-old is cutting my hair!  

Halie: That’s my dad.
Annie: And that’s my mum.
Halie: So if you’re mom is my mom. And my dad is your dad. And we’re both born on October 11th. Then you and I are like - like sisters.
Annie: Sisters. Halie, we’re like twins.

Hallie: So, doesn’t designing all these wedding gowns ever make you think about getting married again, or at least make you think about the F word?

Elizabeth: The F word?

Hallie: My father.

 Excuse me. I apologize. Really, I’m so sorry. I think I just drank tar.

Elizabeth James: And I suppose you just expect me to go weak at the knees, and fall into your arms and cry hysterically. And say we’ll just figure this whole thing out. A bi-continental relationship with our daughters being raised here and there. And, you and I just picking up where we left off and growing old together. C’mon Nick what do you expect? To live happily ever after? 
Nick Parker: Yes. To all of the above. Except you don’t have to cry hysterically. 
Elizabeth James: Oh, yes I do.

JANE; I feel like I just found out my favorite love song was written about a sandwich.  

David : Hi ! [to himself] Pathetic.

Karen: So what’s this big news, then? 
Daisy: We’ve been given our parts in the nativity play! And I’m the lobster. 
Karen: The lobster? 
Daisy: Yeah! 
Karen: In the nativity play? 
Daisy: Yeah, first lobster. 
Karen: There was more than one lobster present at the birth of Jesus? 
Daisy: Duh.      

Daniel: Aren’t you a bit young to be in love?
Sam: No.
Daniel: Oh, well, okay… right. Well, I mean, I’m a little relieved.
Sam: Why?
Daniel: Well, because I thought it would be something worse.
Sam: Worse than the total agony of being in love?
Daniel: Oh. No, you’re right. Yeah, total agony.

Natalie: Oh, shut your face.

PRIME MINISTER: Whenever I get gloomy with the state of the world, I think about the arrivals gate at Heathrow Airport. General opinion’s starting to make out that we live in a world of hatred and greed, but I don’t see that. It seems to me that love is everywhere. Often, it’s not particularly dignified or newsworthy, but it’s always there - fathers and sons, mothers and daughters, husbands and wives, boyfriends, girlfriends, old friends. When the planes hit the Twin Towers, as far as I know, none of the phone calls from the people on board were messages of hate or revenge - they were all messages of love. If you look for it, I’ve got a sneaking suspicion…love actually is all around.

Almost finished? What else can there be? Are you gonna dip it in yogurt? Cover it with Chocolate Buttons?

Whenever I get gloomy with the state of world, I think about the arrival gate at Heathrow airport. General opinion makes out that we live in a world of hatred and greed but I don’t see that. Seems to me that love is everywhere. Often it’s not particularly dignified or newsworthy but it’s always there. Fathers and sons, mothers and daughters, husbands and wives. Boyfriends, girlfriends, old friends. When the planes hit the Twin Towers, none of the phone calls from people on board were messages of hate or revenge. They were all messages of love. If you look for it, I’ve a sneaky feeling you’ll find that love actually is all around.

So I wanna take a moment, I wanna talk about memory. No, better yet, I wanna talk about selective memory. You see, whatever happens here tonight may as well never have happened at all because this circle’s about as far as it’s ever gonna go. In other words, forget everything. Okay, good or bad, we don’t remember so we got nothing to talk about. Nothing, guys, nothing. Deal?

Max: [from the bottom of a pool] It’s been lovely chatting to you. And…and you are a spectacular vision. But any chance for a rope or a ladder?

Fanny: Bonjour. Vous avez choisi?
Max: I think so.
Fanny: Sure you don’t need more time?
Max: No, I know what I want.
Fanny: You’re sure?
Max: Absolutely.
Fanny: So, what is it to be?
Max: How’s the soup?
Fanny: The soup is finished.
Max: Like my job. The fish?
Fanny: We’ve run out.
Max: That’s like me with excuses.
Fanny: Don’t waste my time. Choose something we have.
Max: I would like a lifetime spent with an irrational and suspicious goddess. Some short-tempered jealousy on the side. And a bottle of wine that tastes like you. And a glass that’s never empty.

MILES: Let me rephrase this. Why am I attracted to a person I know isn’t good?
IRIS: I happen to know the answer to this. Because you’re hoping you’re wrong. And every time she does something that tells you she’s no good, you ignore it. And every time she comes through and suprises you, she wins you over, and you lose that argument with yourself, that she’s not for you.

Iris: Okay, hold please.I can’t believe you had sex with the woman staying in my house!

Iris: Low point! Low point.

Iris: I’m Iris. I’m very normal.

LAUREN; Hello, troops.
JAKE; Why are you still here?
LAUREN; I don’t know… you and mom sleeping in the same house? Harley thought we should stay.
HARLEY; She exaggerates. I just thought perhaps you might want to talk later or… is that the noodle thing?
JAKE; [finishes his bite] Oh, I’m sorry. I think I ate it all.

I’M THE GUY. I’M THE GUY!

“You’re not going to let me in there, are you? You’ve got your armour back on. That’s that.”
“I have no armour left. You’ve stripped it from me. Whatever is left of me - whatever is left of me - whatever I am - I’m yours.”

I have a feeling this is the last letter, because there is only one thing left to tell you. It isn’t to go down memory lane or make you buy a lamp, you can take care of yourself without any help from me. It’s to tell you how much you move me, how you changed me. You made me a man, by loving me Holly. And for that, I am eternally grateful… literally. If you can promise me anything, promise me that whenever you’re sad, or unsure, or you lose complete faith, that you’ll try to see yourself through my eyes. Thank you for the honor of being my wife. I’m a man with no regrets. How lucky am I. You made my life, Holly. But I’m just one chapter in yours. There’ll be more. I promise. So here it comes, the big one. Don’t be afraid to fall in love again. Watch out for that signal, when life as you know it ends.          P.S. I will always love you.

Ken: Coming up?
Ray: What’s up there?
Ken: The view.
Ray: The view of what? The view of down here? I can see that down here.
Ken: Ray, you are about the worst tourist in the whole world.
Ray: Ken, I grew up in Dublin. I love Dublin. If I grew up on a farm, and was retarded, Bruges might impress me but I didn’t, so it doesn’t.

Declan: That’s the stupidest thing I’ve ever heard!
Anna: No it isn’t.
Declan: Yeah it is.
Anna: It’s a tradition. It’s a romantic tradition.
Declan: It’s a day for desperate women trying to  trap themselves a man who clearly doesn’t want to get married. You gotta know that if your man wants to propose, he’d have done it already—FACT.

Declan: He must be something special.

Anna: Who?

Declan: Ya fella.

Anna: Oh yeah he is. He’s a cardiologist.

Prime Minister: God, you weigh a lot.

Declan O’Callaghan, and I should probably learn your middle name, here is my proposal. I propose we not make plans. I propose we give this thing a chance and let it work out how it works out. So what do you say? Do you want to not make plans with me?

Declan: Mrs. O’Brady Callahan. Where the hell are you going? 
Anna: You said no. 
Declan: I didn’t say no….I didn’t say anything. 
Anna: You walked away. 
Declan: I was getting something. 
Anna: Really? That was a good time to go get something? 
Declan: Yeah, it was actually. 
Declan: I don’t want not to make plans with you. I want to make plans with you. 
Anna: You do? 
Declan: Yeah, I do. I reject your proposal. I don’t want to not make plans with you. I want to make plans with you. Will you marry me?

MARGARET: Andrew.
ANDREW: Yes, Margaret?
MARGARET: Sweet Andrew.
ANDREW: I’m listening.
MARGARET: Would you please, with cherries on top, marry me?
ANDREW: Okay. I don’t appreciate the sarcasm, but I’ll do it. See you at the airport tomorrow.

Though she never would have admitted it to anyone, Emma felt, just for one moment, a strange sensation that maybe through her own endeavors she was about to lose something that might never be recovered

“Ungenerous? I am the soul of generosity.”

“Yes, of course you are. So there must be cake!”

You must wrap up warm, Emma. In case some of the young dancers do something remarkably reprehensible like opening a window

Harriet: Oh dear, I can’t decipher!

Emma: Well, look here. ‘The wealth and pomp of kings.’ Kings. What does that suggest? Perhaps a court? And ‘the monarch of the seas.’ Seas. Maybe a ship.

Harriet: Ship? Court… Ship-court! Is that it?

Emma: Try again. What might ‘ship’ and ‘court’ signify?

Harriet: No…

Emma: Courtship!

Knightley: Really, it is better to be without wits than apply them as you do, Emma.

Emma: There! See how you add force to my argument! Men don’t like girls who argue

EMMA: Well then let us, as you say, live in the real world where men, of course, always reject a girl with a pretty face in favor of one with a well-informed mind. 
MR. KNIGHTLEY: What— 
EMMA: Oh no, no, no. I bow to your superior knowledge. You’re sixteen years more experienced — you must know best! Harriet with her good looks and her easy temperament will be right at the back of the queue with your sex when it comes to choosing a mate! Now we have both made our argument. Let us not quarrel. 
MR. KNIGHTLEY: Really, it is better to be without wits than apply them as you do, Emma! 
EMMA: There! Don’t you see how you add force to my argument? Men don’t like girls who argue! Harriet is just the sort of girl every man wants: she bewitches his senses and satisfies him that he is always right. Were you to ever marry, she’ll be just the sort of woman for you. 
MR. KNIGHTLEY: HA! 
EMMA: Mark my words. Harriet can pick and choose. Here she is, right at the beginning of her life. Why should she accept the first offer she receives?

Mr. Knightley: I came back to say this, Emma. As you make no secret of your match-making, I assume that you would not have taken this drastic step unless you had another suitor in mind. And, as a friend, I will just hint to you that if Elton is the chosen man, Elton will not do. He knows he is a very handsome young man and will never marry cheaply. I’ve heard him speak with great animation of a large family of young ladies who all have twenty thousand apiece. Harriet and Robert are not your playthings, your dolls. To be told what to do and marry under the table at your bidding. They’re flesh and blood! And one day, you will bitterly regret your meddling.

Mr Knightley: Who will you dance with, hm?
Emma: Why you, if you will ask me.
Mr Knightley: Will you dance, dear Emma?

Emma: “Thank you.”
Knightley: “For what?”
Emma: “Your secret is out. You dance better then anyone.”

I was thinking how at home you looked. You might be mistress of this house.

EMMA: How stupid I am (breathing loudly) How blind I’ve been ! Harriet and Mr Knitghley ? I have been so busy managing everyone else’s heart I do not know my own. Forth Mr Knightley is to mary anyone that someone should surely be me. Too late … Too late … and it is all my own fault.

EMMA: Wait! Please stop! I’m sorry. We are old friends. I will hear anything you want about anyone and I will tell you exactly what I think as your friend.
MR. KNIGHTLEY: I don’t — friends indeed. I do want you to be honest so tell me. Have I no chance of succeeding? My dearest Emma. For that is what you always have been and you always will be. My most beloved Emma. I cannot make speeches. If I loved you less, I might be able to talk about it more. But you know what I am. I have lectured you and scolded you and you have borne it as no other woman would have.
EMMA: Can this be true?
MR. KNIGHTLEY: You’ll get nothing but the truth from me. So tell me what you think.
EMMA: I find I do not know what to think.

“I examined my own heart. And there you were — never, I fear, to be removed”

You know I love you, and I always will.  But we can never marry.  That’s all.

Emma: You must know I could never leave him!

Mr. Knightley: Of course. Your father. I too have been giving it some thought.

Emma: He has spent the whole of my life terrified that this would happen, that I would be taken away from Hartfield. He could not bear it, and I will not do it! [starts to leave again]

Mr. Knightley: As I said— [stops her] As I said, I have been putting my mind to a solution.

Emma: There is no solution!

Mr. Knightley: Well, I have been thinking. [holds her hands] Now, my heart… [brings their clasped hands near her heart] is here. And what does it matter where I live, if my heart is in the right place? I will move to Hartfield for as long as necessary.

Emma: You would do that… for me?

Mr. Knightley: I might walk back and forth a couple of times a month for my constitution. But I would do far more without a second thought.

Cher: You think that’s all I do, I’m just a ditz with a credit card?
Josh: No, no, ah, that’s not what I meant. You’re young and beautiful…and…
Cher: And?
Josh: And, well, uh, what?
Cher: You think I’m beautiful?
Josh: You know your gorgeous, alright? And popular, and, um, and… but this is not why I, you know, I come here. This is a good learning experience for me.
Cher: You already said that.

Katherine: Palmer, so lovely to meet you.

Palmer: Like wise.

Katherine: I mean, look at you two. I mean, it’s like… Barbie and… grandpa Ken.

11 months ago  /  1 note

TV

ELLEN: It’s unscripted, Leo! Who knows what’s going to happen here.
LEO: Your improv goes into play. So it’s Ellen to Leo.
ELLEN: Oh great I’ll just think of the bevy of questions I have…[thinks]…so Leo, when we were…uh…working on the…uh…
LEO: …film Inception? [laughs]
ELLEN: …Inception, and we were wearing the white snowsuits, did you sort of feel like we were in a Backstreet Boys music video?
LEO: I kind of felt like we were a part of a gigantic boy band and we were on location on a snowy mountaintop.

Bartlet: You’re a son-of-a-bitch, you know that? She bought her first new car and you hit her with a drunk driver. What was that supposed to be funny? “You can’t conceive, nor can I, the appalling strangeness of the mercy of God,” says Graham Greene. I don’t know who’s ass he was kissing there ‘cause I think you’re just vindictive. What was Josh Lyman? A warning shot? That was my son. What did I ever do to yours except praise his glory and praise his name? There’s a tropical storm that’s gaining speed and power. They say we haven’t had a storm this bad since you took out the tender ship of mine last year in the north Atlantic last year… 68 crew. Do you know what a tender ship does? Fixes the other ships. Doesn’t even carry guns. Floats around and fixes the other ships and delivers the mail. That’s all it can do. Gratias tibi ago, domine. Yes, I lied. It was a sin. I’ve committed many sins. Have I displeased you, you feckless thug? 3.8 million new jobs, that wasn’t good? Bailed out Mexico, increased foreign trade, 30 million new acres for conservation, put Mendoza on the bench, we’re not fighting a war, I’ve raised three children… That’s not enough to buy me out of the doghouse? Haec credam a deo pio? A deo iusto? A deo scito? Cruciatus in crucem! Tuus in terra servus nuntius fui officium perfeci. Cruciatus in crucem. Eas in crucem! The West Wing, 2X22

Renee: “It’s just hard for me to reconcile this suburban housewife with the girl who had a threesome with two of the guys from the rugby team!”

Gabrielle: “Yes, I’m unbelievable. Close your mouths.”

Amy: And consider this: without you to make the case for the physics department, the task will fall to people like Leonard and Rajesh.
Sheldon: Are you trying to scare me? ‘Cause you’re succeeding.
Amy: Well, then prepare to be terrified. If your friends are unconvincing, this year’s donations might go to, say, the geology department.
Sheldon: Oh, dear, the dirt people!
Amy: Or worse— it could go to… the liberal arts.
Sheldon: No!
Amy: Millions of dollars being showered on poets, literary theorists and students of gender studies.
Sheldon: Oh, the humanities!

When I saw the blood on your shirt, I thought you’d been shot.

Oh my, look at you! Oh you look gorgeous! Are you two going out on a date? 314

Beckett: [opens the door to find Castle there] “Castle.”
Castle: “I know what you would do if you won the lottery.”
[he walks past her into the apartment]
Beckett: “By all means, please come in. So, what is your big insight into a financial decision that I will never have to make?”
Castle: “You would use the money to honor your mother’s legacy. On the way over here, I called the dean of your mother’s old law school. We talked about starting a scholarship in Joanna Beckett’s name one that would provide a full ride for a student planning on dedicating their career to those in the legal system without a voice. The kind of people that your mom championed. And with your blessing I would like to host a fundraiser to fund it.”
Beckett: “You just can’t stay out of my personal life can you? Thank you, that’s really sweet.” 314

315

For reasons too disturbing to mention, I-I find that hot. 316

“Why is it that the thing that attracts you to a person always ends up being that thing that just drives you crazy? I just wished that.. I wish that I had someone who would be there for me and I can be there for him and we can just dive into it together.316

319

Beckett: I thought Terrific Nick’s on the East Side was number one.
Castle: Ahh..no. That’s Authentic Terrific Nick’s. This is just Authentic Nick’s.
Beckett: This isn’t terrific?
Castle: No. It’s authentic. It’s also…not Terrific Authentic Nick’s but that’s across the street.  320

321

Lanie and Esposito - like FoxCan. We can call then Esplanie. Which is perfect, because they’re always esplaining things.

324

104106110

Olivia: You called Rachel last night - anything important?
Peter: Hardly. You know that song “If you like pina coladas?” We were trying to remember the name. It turns out it’s called “Escape.”
Olivia: So you two are friends now?
Peter: Does that bother you?
Olivia: (unconvincingly) No.

Peter: The truth is you don’t need me here!

Olivia: That isn’t the truth.  104

Holder: So, uh, is there something you wanna ask me?

Linden: Not anymore.  108

Toby: Why would somebody go after you? What makes you so important?
Spencer: I don’t know.
Toby: Maybe you know something you’re not supposed to know.
Spencer: Well every time I think I know something, I get the rug pulled out from under me, and I end up on my ass.
Toby: C’est dommage.
Spencer: C’est la guerre 116

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11 months ago  /  0 notes

smallville

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3x01

Clark: “Lana. You’re back.”
Lana: “Hi. Hi, Clark.”
Clark: “Lois. How did you two—”
Lana: “We just met. I, uh, stopped by the cemetery to pay my respects to Chloe.”
Lois: [To Lana.] “I think you’re forgetting about the part where you saved my life. [To Clark.] Some Ginsu boy came after us at Chloe’s grave.”
Lana: “Look, Clark, if you really think that Chloe’s alive, I want to help find her.”
Clark: “Uh, Lana… Look, I don’t want to get your hopes up, but we don’t know anything for sure.”
Lana: “Okay.”
Clark: “You’re back from Paris. You must’ve found what you were looking for.”
Lois: “I’ll say! Who wouldn’t want a hot summer fling in the most romantic city on Earth?”
Lana: [To Clark.] “I was going to tell you.”
Clark: “It’s okay.”
Lois: “Really? You two?”
Clark: “We never…”
Lana: “Not really.”
Clark: “…had a thing.”
Lana: “It’s complicated.”
Lois: “A complicated thing. Never mind.”
Lana: “Well, um, I’m gonna go.”
Lois: “The awkward tension’s just getting started. […] I really crashed and burned on that one.”
Clark: “Must be a daily ritual for you.”
Lois: “Only when I’m barreling into a train wreck.” 4x02

lana: it’s funny, isn’t it? after everything we;ve been through, I thought it would take us longer to get over it.
clark: us?
lana: you and lois.
clark: lois? she’s bossy. she’s stuck-up, she’s rude - I can’t stand her.
lana: the best ones always start that way. 4x02

LOIS: I know that I’m late. But I can still make it to campus for orientation.
SAM: Save yourself a trip. Met U just yanked your acceptance.
LOIS: What? They can’t do that.
SAM: They can if you don’t have enough credits to finish high school.
LOIS: Look, I know I missed a few classes, but…
SAM: Lo, you failed the last semester.
[Clark laughs with delight. Sam looks sharply at Clark, and he stops laughing.]
SAM: Not to worry, though. I’m sure that Clark will be happy to show you around.
CLARK&LOIS: [Worried.] Around where?
SAM: Bright and early tomorrow morning. [He turns back to them.] You start Smallville High.403

Jason: “Keep your eye on the target.”
Clark: “Come on, Lois! Didn’t those guys on the base teach you anything?”
Lois: “Wouldn’t you like to know? […] Doesn’t matter ‘cause you are going down.”
Clark: “That’ll be the day.”
Everyone: “Dunk! Dunk! Dunk! Dunk! Dunk! Dunk!”
Lois: “Whoo!”      4x03

Lois: “Look, I’m sure she’s already out of town. They’ve evacuated half of the county. They probably saw her running in late and told her to leave town.”
Clark: “That’s exactly you two need to do, right now.”
Lois: “Thanks for the tip. Now listen to me, Smallville, if there’s one thing that the General has taught me is that you cannot panic in times of crisis. Do you hear me? Okay, whatever happens, you have to stay calm. You cannot panic.”
Clark: “Lois—”
Lois: “Because if you lose your cool—”
Clark: “Lois!”
Lois: “What?”
Clark: “You’re panicking.”
Lois: “Fine.”  4x22

4x22

5x06

Little Girl: You’re not Santa!
Clark: Yes… I am… I’m the new improved model! 5x09

Clark: Okay, so what’s the problem?
Chloe: Well, the presents need to delivered tonight and the teamsters are on strike on Christmas Eve.
Clark: So, instead of calling FedEx, you called me?
Chloe: I do realize it’s a lot to ask, but I mean, you do run faster than a speeding bullet and I know you don’t want to disappoint all of those underprivileged children.
Clark: You didn’t have to go there.
Chloe: Well, you know, it’s true. I mean, you’d be helping out a really great cause. Not to mention, saving my career.
Clark: It’s just I promised Lana…
Chloe: I’m sure Lana’ll understand…or at least she’ll understand whatever you make up to tell her.
Clark: Chloe, this isn’t Toys for Tots, this is Toys R’ Us. How many are there?
Chloe: Aaaah, couple thousand, give or take. 5x09

Lois: Hey. You guys are not going to believe what just happened to me. I’m out there jogging along minding my own business when out of nowhere a barn door comes falling from the clear blue sky and almost crushes me. How does that happen?
Clark: Maybe it fell from an airplane.
Lois: Good guess, but the only thing out there was a severely traumatized sparrow.
(Clark sniffs)
Lois: Uh oh. Does Clarkie have the sniffles?
Martha: Its just a little cold.
Lois: Well, lucky for you I have the perfect remedy. Honey and a little cayenne pepper. Works everytime. First it makes you sneeze a bunch of times but I swear you’re pretty much cured.
Clark: Lois, I’ll pass.
Martha: I think we’re all out of cayenne, Lois.
Lois: No you’re not. I’m just going to whip up a little something here.
(Lois looks out the window and sees the missing barn door)
Where did your barn door go? It was here late last night when I came to drop off the documents and now its gone.
Clark: Look at that. It is gone.
Lois: And its been ripped right off its hinges… Oh my god! That barn door, I knew it looked familier. Now how does that happen? 602

Oliver: Did you just call him Oliver?
Lois: It was a hunch.  6x10

Chloe: “Clark.”
Clark: “What’s going on?”
Chloe: “Uh, Lois was just telling me about her exciting night last night.”
Lois: “Yeah, I don’t know where you disappeared to last night, Smallville, but it turns out I was wrong about Oliver.”
Chloe: “He’s not the Green Arrow! Can you believe that? Luckily Oliver showed up when our hero was still around, but it looks like you were way off base about him. And the craziest part is he chucked a guy across an alley, right?”
Lois: “Oh, yeah.”
Chloe: “And then supersped away. I mean, who does that?”
Clark: “Hmm. It’s a good thing Oliver showed up when he did. Then you know for sure.”
Chloe: “Oh, she knew before he showed up.”
Clark: “You did?”
Chloe: “Ask her how.”
Clark: “How?”
Lois: “I kissed him.”
Chloe: “Isn’t that romantic? Oh, I’m sorry, Lois. Finish the story. This is the best part.”
Lois: “Well, he was holding me in his arms. And Ollie’s a good kisser — don’t get me wrong — but that Green Arrow, he could teach Ollie a thing or two.”    6x10

CLARK; Hey, Chloe- [stops]
LOIS; God, Smallville. Learn how to knock. What if I’d been naked? Eww. 611

Chloe: So, who was I in your alternate universe? Editor in Chief of the Daily Planet? Or a Pulitzer Prize winner, maybe?
Clark: Something like that, yeah. The important part is… you were the one person who believed in me. I don’t know what I’d do without you, Chloe.
Chloe: Oh, is this when I’m supposed to cue the Barry Manilow music?
Clark: No, seriously. You mean a lot more to me than you know. 6x12

6x19

CHLOE: I thought you said you couldn’t…
LANA: Yeah, normally we can’t.
CLARK: You guys talk about this?!
LANA: What? It’s just Chloe.
CHLOE: Awkward. 7x07

Clark: “Lois!  Lois, wait!”
Lois: “What?  Oh, sorry to rain on your orgy Smallville, I think I scared off your date.”
Clark: “Where’d she go?”
Lois: “Probably to find you two a motel room.”
Clark: “You don’t understand.”
Lois: “What’s not to understand?  You were pulling a 9½ Weeks in the ELEVATOR.  I mean it may not get you a membership in the mile high club but hey - you gotta start somewhere.”
Clark: “Just calm down!”
Lois: “I am calm. I am PERFECTLY calm!  Why wouldn’t I be calm?  Dial down the ego Smallville, I don’t care what you do with your love life!” 8x04

Lois: Or there’s another kind of activity two people share, repetitive motion, builds to a climax…
Clark: Thank you.   8x04

Clark: I know she’s not the one, but, it got me to thinking. Chloe showed me this love letter she wrote to me years ago, and… her feelings were really intense. And Chloe was right there in front of me, and I never realized how she felt. What if my soul mate comes along and I’m too blind to see it?
Lois: I don’t know, Smallville. I think that when the right girl walks into your life … you’ll know 804

Lois: Another glass of bubbly… and throw in a Shirley Temple for the lady. [referring to Clark]
Clark: Lois, don’t you think you might want to pace yourself?
Lois: Believe me, Smallville, I am a lot more obnoxious sober, and the last thing anyone wants is me making a scene at this blessed event. Chloe is barely legal, and she is getting herself hitched to the first guy who’s shown her any attention, present company excepted. I have suffered enough heartache to know real love when I see it, and looking at those two — I don’t know. I don’t see it.
Clark: Are you sure you’re not just jealous that your little cousin’s beating you to the altar?
Lois: This isn’t a competition.
Clark: Then why are you keeping score? Listen, Lois, it may not kill you to just show a little support.
Lois: You want support? I’ll show you support. Good idea. 805

8x05

8x05

Creepy bad guy of the week: Do you love this man?    Lois: Yes.    8x05

CHLOE: One day I’m on the fast track for my dream career as the intrepid reporter, and then I blink, and all of a sudden, I’m this underqualified shrink for meteor-infected kids who will probably wake up to be psycho killers. And did I mention that I was actually able to hold on to “happily ever after” for about 2.3 seconds before my marriage imploded?
OLIVER: Is this the part where you belt out the soprano’s aria and drive a dagger into your corset? 807

Lois:  I just came from Tess. I got a raise.
Clark:  Why would she give you a raise?
Lois:  Because I’m me. Hello.  8x08

8x10

8x10

8x17

Chloe: Watchtower is oficially on line. 8x17

Lois:  Hello?
Clark: Is this Lois Lane, the reporter?
Lois: Who wants to know?
Clark: This is The Red-Blue Blur.
Lois: [ Scoffs ] Yeah, right. How do I know you’re not some deep throat wannabe with a lot of time on his creepy hands?
[ Air whooshes ]
Clark: Look down. I received your letter, Miss Lane.
Lois: Call me Lois — if you want. And while we’re at it, do you want to weigh in on the whole “Red-Blue Blur” thing? Because it’s kind of a mouthful on this end.
Clark: I think there’s probably a better name out there, and if there’s anyone who’ll find it, it’s you, Miss Lane.
Lois: I’ll put my best men on it. And by “men,” I mean me because I work in the basement and employ pretty much no one, unless you count my intern. I’m sorry. I’m rambling.
Clark: [ Chuckles ] You’re nervous.
Lois: Can you read my mind? [ Scoffs ] Who am I kidding? It’s Saturday night, and I hightailed it down here because I have one obsession right now, and it’s you. And when you didn’t respond to my skywriting, I just —
Clark:  it was a nice ony the between you and me, I could use a little work on that subtle thing. You know there’s nothing wrong with taking your job seriously.
Lois: There is when you don’t know who you’d be without it.
Clark: Something tells me you know yourself better than you think. Lois, you’re a great reporter — all on your own. You don’t need a hero or some gimmick to make a headline.
Lois: Thanks. My editor would kill me, but… I don’t want this story. What I’ve really been wondering is… what is it that you need? I mean, you’ve dedicated your life to a city full of strangers. And I’m not saying that I know what it’s like to be a hero, but… even the fastest blur in the world can’t outrun loneliness. I guess what I’m saying is… …if you ever want to talk — totally off the record — I’m only a phone call away.
Clark: I’ll keep that in mind. And, Lois… when I’m ready to tell the world my secret, you’ll be the first to know. 8x19

9x01

“I’m gonna be needing that.”
”Clark Kent, you’re back! I was beginning to think your family lived on some distant planet…”    9x02   

Lois: Okay, get your engines going. Looks like there’s a major fire on East Brunswick.
Clark: You know if we’re going to be here all night, I’ll get some coffee.
Lois: That’s what I love about you, Smallville. I say fire, you say food. I’ll take mine black. [Clark blurs off to put the fire out and grabs Lois some coffee]
Lois: That was quick. Do you smell smoke?
Clark: No. 9x03

Clark: We made it.  9x03

LOIS: I do remember seeing a whole new side of Clark Kent.
CLARK: Which side was that?
LOIS: I’ll give you a hint. It starts with H and ends with ero.    9x03

9x04

Lois: “If people were to try that again, they might want to do it on a slower news day…hypothetically speaking.” 
Clark: “But those don’t come along very often.”
Lois: “No.”
Clark: “I’m sure people would make sure they got it right the next time. Hypothetically speaking, of course.”
Lois: “My thoughts exactly.”  9x04

Clark: Shouldn’t you be riding a mechanical bull somewhere? It is Friday night.

Lois: Correction. It’s movie night. 9x05

Clark: There are a lot of good things about you that would attract a lot of great guys.
Lois: Really? Like what?
Clark: (long pause) You’re Lois.
Lois:(sarcastically) Thanks, Clark. 9x06

Stuart: Look, I can handle any hacker okay but I think that you should know, someone’s trying to get through to us right now and I think they’re pretty good, so-
Tess: Then be better. Fix the situation, Stuart. Or I’ll have you terminated.
Stuart: Okay, by terminated, though, you mean fired, right? Right? 906

Lois: “Oh! You could be a little bit more passionate with this whole thing. But not you, not mild mannered Clark Kent! Do you even care if I get this job?
Clark: “Of course I do! I bought a new tie. 906

Clark: Lois, I’m only doing this for you. How else am I gonna get that second date? 9x06

9x06

9x07

Clark: I wish we had more time.      9x08

(Lois is staring into space having a flashback of her and Clark in the future. Clark spills his coffee and Lois doesn’t notice.)
Clark:Earth to Lois. Looks like you’ve been on another planet for the last 15 minutes.
Lois:Easy, armstrong. This space case is buried in research. I’ve got like two weeks worth of work to catch up on.
Clark:It was sort of a last minute vacation, wasn’t it?
Lois:Yeah, well, I’ve got a pretty tightly wound bolt reflex.
Clark:Is this about what happened?….Are you turning red?
Lois:Believe it or not, my ejector-seat malfunction wasn’t totally about you.
Clark:We should talk about it.
Lois:When I want to talk about it, I’ll send up a smoke signal. 9x08

LOIS: I’m Lois Lane from the Daily Planet, and I’m here to tell you that I know the blur. The D.A. says that a true hero would come forward. Well the blur can’t. Its because he knows that the best way for him to protect you and me is to steer clear of all this political hoopla and remain the one thing that you and I need most: a light in the darkness, a symbol for us to believe in when all other hope is lost. I’ve looked into the blur’s heart, and I can tell you that his intentions are good. Let the blur be the hero he needs to be.   (Clark smiles proudly) 9x08

You can’t reveal yourself to the cameras. You mean too much to the city, to the world. Clark, I know that you’ve been living two lives and having to lie to me about it every day. I’ve always known, deep down, that you were a hero. 9x08

When I heard the blur’s voice again, something stirred inside of me. But my thoughts… I keep going back to Clark. That scared guy who stepped down onto that ledge to save me.     9x08

This isn’t what I had in mind when you said you wanted to meet in the copy room, but, hey, I’m open. 9x08

They’re very… Clark Kent 9x08

Lois: But just so you’re clear on one thing.  9x08

Clark: “Lois, I died when you left…”
Lois: “I’m here now.”       9x09

9x09

Clark: Lois, take the ring. Put it on.
Lois: No.
Clark: You have to. Now!
Lois: What if I never see you again?
Clark: You will. 9x09

Oliver:You know, for a guy who just got a mono dose of kryptonite you sure seem happy.
Clark:Well the sun is shining, Lois is going to be alright.
Chloe:She should be fine. Dr.Emil ran every possible test on her and she’s healthy and doesn’t remember a thing. Except of course, the flowers that Clark sent to her hospital room but who could forget five dozen roses.
Oliver:Five dozen roses, wow, that’s subtle. 9x09

Clark : Lois, what are we doing ?
Lois : I’m eating a maple donut and you’re kinda invading my personal space.
Clark : I mean us. Lois and Clark, Clark and Lois as a couple. 9x09

Lois: “And okay, I was just… I was a little nervous. It was our first public outing as… kind of like, a couple.”
Clark: “Emphasis on ‘kind of’ You wouldn’t even let me help you with your coat.”
Lois: “I held your hand.”
Clark: “Only when you were taking hors d’œuvres out of it.” 9x10

Lois : Clark Kent and Lois Lane. Who knew ?
Clark : I did. You know, Lois we could go back to the farm and take a walk. I could give you Clark Kent’s tour of the galaxy.
Lois : Smallville, the only planet you know about is the one that you read at the breakfast table. Okay, then. That was pda number four on date number five. I’m just keeping track, trying not to rush into this relationship like I’ve done before.
Clark : Lois, there’s nothing we’ll be doing in five weeks that we can’t do tonight.
Lois : I know. It’s just … this is the one. You’re the one that I want to get it right with, okay ? 9x10

Clark: ‘What are you doing to him?”
Dr. Fate: “Your fate is utterly blinding. You are of value, Clark Kent. But you, you walk the same path I do, Chloe Sullivan.”
Clark: “Who are you?”
Dr. Fate: “Let me show you, my friend.” 9x11

Dr. Fate: And when you show yourself to the world, it will be a different age than ours. A silver age of heroism that will start when they look up into the sky at you with hope for tomorrow. You will help everyone embrace it.

Lois:(knock on door) Hello? Hello?

Clark: Lois? What’s she doing here? She shouldn’t be in the middle of this.

Dr. Fate: She is the key.

Chloe: I want to take a closer look at this glowing stuff that police have at evidence. We need to get it
Oliver: We meaning me, right? 9x11

John Jones: Doctor Fate was inundated With a constant flow of visions and information, but there is a limit to how much knowledge someone can have. It drove him to the edge of sanity, and he fell off. I don’t need my telepathy to know you run that risk yourself.
Chloe: A golden helmet possessed by ancient spirits and the Watchtower are two entirely different things. I can handle it.
John: I only say because I care. You and Clark, Oliver…You’re my family here.
Oliver: Anyone home?
Chloe: What’s up?
Oliver: Nothing, actually. I, uh, I thought I’d stop by and see if anyone was hungry.
John: I could use some dinner. Chloe?
Chloe: Uh, sure. You’re buying, Mr. Queen
John: Don’t look at me. I’m living off a policeman’s salary.
Oliver: Ah, fine. Dessert’s on you.
John: On Mars we never had dessert. But I have grown specially fond of cookies. 911

CLARK: So, he told you your fate?
LOIS: Huh. Yeah. He was just babbling about how I’d be there for him and he’d be there for me. It just sounded like a Valentine’s Day card.
CLARK: Who’s the “him”?
LOIS: It’s ridiculous. I quote “Savior/sentient power.”
CLARK: Do you believe in fate, Lois?
LOIS: Only the kind you make happen. 911

9x11

Chloe: How do I know when to let go?
Oliver: It’s all about your heart. Just listen, right there in between the beats. That’s when you let go. 9x13

Clark: “You asked me what my dream was and it’s this… with you, Lois.”
Lois: “Now that my friend, is an apology.”  9x13

9x13

9x13

Clark: [on phone] “Yeah, mom, about the engagement… there was a, uh, miscommunication. They’re gonna print a retraction. [ … ] Sure, I’ll tell her. [ … ] Okay, love you too, mom. [to Lois] My mom says, when you’re ready you can borrow it. You have any idea what she’s talking about?”
Lois: “Nope. It’s Greek to me.” 9x14

Clark: Lois, you can’t quit reporting. That job is your life.
Lois: Well now my life is with you. For better or for worse, for richer or for poorer.
Clark: Lois, what are you talking about?
Lois: Yep, you’re absolutely right. What kind of adjective is poorer? Somebody is going to need an editor… For their vows.
Clark: Right…      9x14

Lois: No. Chloe hit the target head on. She said that it was gonna wreck us, and she’s right. Clark, I don’t… I don’t know the first thing about family time, or dinners at home. I don’t.
Clark: Lois, I’m glad you’re opening up to me. But there’s something else going on here.
Lois: You’re right. Something is going on. I’ve made a fool of myself long enough. It hurts me to be around you. I have to leave you Clark, leave Smallville.
Clark: Lois. Lois, you need to sleep on this. I- I promise, things will look better in the morning.
Lois: No, they won’t. Clark, I’m a big girl, I can pull myself up on my own boot traps, thank you very much. I just, I’d hope I’d be able to pull it off, the whole… making a home thing.
Clark: Lois stop! You are home.
Lois: No. A home is for real…for always and forever. Not this. Goodbye, Smallville. Clark: Lois, you can’t leave, not yet. I promise we’ll be together. Always and…
Lois: Forever? Do you mean it?
Clark: I do.       9x14

Clark: “Hello.”

Lois: “I see a table for two in our future.”  9x15

9x16

9x16

Lois: “Too much?”
Clark: “You’re perfect.” 9x16

9x16

Lois: Yeah, speaking of clues…let’s talk about Mr. Green, in the bedroom, with my cousin.
Oliver: There it is.
Clark: Lois, I think they came here for brunch.
Lois: Good point. Look Chloe, there’s food.
[Lois and Chloe walk over to the buffet; Lois grabs Chloe and steers her away. Awkward silence.]
Oliver: …Little jellies. 9x16

Clark: “Something tells me you’ll never stop surprising me, Lois.” 9x16

CLARK: Come on, I think it would be a good idea if there was nothing between us.
LOIS: I think that can be arranged.
CLARK: Lois.
LOIS: Mmm-hmm.        9x18

Lois: Sometimes I swear you have more than two hands.919

9x19

9x21

Lois: Clark… 9x22

Clark: I have something I need to tell you, and if I don’t tell you now… I never will. I know things have been rocky between us…
Lois: I’m listening
Clark: My whole life has been fulled of relationships that’ve ended too soon… and when I went away last fall I- Lois, I felt so lost. But when I came back to the bullpen you were there waiting for me, you jumped out of your sit, you threw your arms around me and the way your eyes sparkled when you smiled I just… I knew. I just knew you were the one that I always needed. And I needed you to know that. 9x22

Man: Look, up in the sky!
Dr Fate (off): Your fate is utterly binding. You will lead this generation as Hawkman once led ours.      9x22

1 year ago  /  2 notes

white collar

Peter: I don’t need amenities. Just give me a wall, a TV, and a bed, and I’m happy.

Neal: Are you serious?

Peter: Yeah.

Neal: Peter, mi casa es su casa.

Peter: Su casa is not even su casa. 111

Neal: They spent a week on me?
Peter: Apparently you’re one of the interesting criminals of the 21st century.
Neal: “A new breed of forger, technological virtuoso.” Wow. “With a classical artistic foundation.” They got it. Yeah, yeah.
Peter: I read it 203

NEAL: Does this mean you’re in?
SARA: Now what kind of wife doesn’t support her husband? I’m in, Junior.   210

SARA: Thanks for the shotgun wedding.
NEAL: Anytime. 210

NEAL: You told Peter?
MOZZIE: I’m a Judas, a turncoat, a quisling! 
NEAL: Thank you.
MOZZIE: I…  210

A wise man once said it’s fun to do the impossible.
Bertrand Russell?
Walt Disney.  211

Elizabeth: You know he doesn’t like the vet.
Peter: I think he feels guilty.Yeah,he wouldn’t have been there if he didn’t swallow one of my handcuff keys.
Elizabeth: Dogs like shiny things. You need to be more careful what you leave around!
Peter: Oh, so I should feel guilty?
Elizabeth: I think an apology is in order.
Peter: [hesitates]…I’m sorry.
Elizabeth: Aw,good boy!

Peter, you just burned a perfectly good alias.
And you named me after my dog.
…Touchè. 212

212

Watch this…213

212

214

Neal: “What’s with the second hammer? I said bring one.”

Mozzie: “You said to surprise you.”

Neal: “Moz! You’re worried about Peter.”

Mozzie: “I happen to have an arsenal of hammers.”

Moz: Are you really willing to give that up for the suit?
Neal: Keeping Peter alive is more important than holding a candle for someone who isn’t. 214

Hughes: Burke, it’s Hughes. Tell us your location.
Peter: I need to talk to Neal.
Hughes: Where are you?
Peter: Reese, put Neal on the phone.
Neal: I’m here, Peter. 214

214

Neal: Well, it’s simple, word association. ‘Dowd’, ‘crowd’; ‘Joseph Dowd, runs with a bad crowd’. ‘Kenny Estrada, he won’t say nada’.

Peter: Are you serious?

Neal: Yeah, I had one for every cop and crook I ever met.

Peter: What was mine? ‘Burke, the jerk’?

Neal: (awkward silence)

Peter: Oh, come on!

Neal: You tell me what else rhymes with ‘Burke’.

Peter: Work. Lurk, smirk… Clerk works.

Neal: You’d need some muscle, a cargo plane, and a few grand in bribe money just to get started.

Peter: You would.

Neal: And who knows what else, because I have never considered stealing gems in Burma. Well… 213

Neal: Excuse me. Sorry, I-I couldn’t help but overhear. Are you with the FBI?
Peter: Special agent Peter Burke.
Neal: Wow. I-I just took some money out of the bank, and I heard you talking about counterfeiting.
Peter: Your money’s safe. I’m looking after counterfeit bonds.
Neal: Well, I have some bonds at home. How would I know if they’re not real?
Peter: I’m sure they’re fine.
Neal: Well, thanks again for all the hard work you’re doing, agent Burke. That’s for you. Have a good day. 211

1 year ago  /  0 notes

the history boys

Timms: You’ve got crap handwriting, sir! 
Irwin: It’s your eyesight that’s bad, and we know what that’s caused by. 
Timms: Sir! Is that a coded reference to the mythical dangers of self-abuse? 
Irwin: Possibly. It might even be a joke! 
Dakin: A joke, sir. Oh. Are jokes going to be a feature, sir? We need to know as it affects our mindset.

Dakin: I’ve been reading a book by Nieshaw.
Scripps: Who?
Dakin: Nieshaw! He’s a philosopher, Friedrich Nieshaw.
Scripps: I think that’s pronounced Nietzsche.
Dakin: Shit. Shit!
Scripps: What’s the matter?
Dakin: I talked to Irwin about it, he didn’t correct me, he let me call him Nieeeeshaaaw! He’ll think I’m a right fool, shit!

Timms: Sir, I don’t always understand poetry.
Hector: You don’t always understand it? Timms, I never understand it. But learn it now, know it now, and you will understand it… whenever.
Timms: I don’t see how we can understand it. Most of what poetry’s about hasn’t happened to us yet!
Hector: But it will, Timms, it will. And when it does, you’ll have the antidote ready. Grief, happiness… even when you’re dying. We’re making your deathbeds here, boys.

Scripps: Oh, Pos, with your spaniel heart. It will pass.
Posner: Yes, it’s only a phase. Who says I want it to pass? But the pain. The pain!
Scripps: Hector would say it’s the only education worth having.
Posner: I just wish there were marks for it!

Dakin: I like him. Just wish I thought he liked me.
Posner: But he doesn’t understand, Irwin does like him! He seldom looks at anyone else!
Scripps: How do you know?
Posner: Because nor do I! Our eyes meet looking at Dakin!

Scripps: Cheer up! At least he speaks to you. Most guys wouldn’t even speak to you. Love can be very irritating.
Posner: How do you know?
Scripps: It’s what I always think about God. He must get so pissed off, everybody adoring him all the time.
Posner: Yes. Only you don’t catch God poncing about in his underpants.

Just let us know when you get to Berlin.

(Timms is trying to duck out of Athletics)

Wilkes: What’s the matter with you, lad?
Timms: I’ve got a note.
Wilkes: How much for? (laughs)
Wilkes: I don’t do notes! Get changed!
Timms: Sir…
Wilkes: God doesn’t do notes, either. Did Jesus Christ say, “Can I be excused the Crucifixion?” No!
Scripps: Actually, sir, I think he did…

Wilkes: You’re late! Get your kit off.
Irwin: I’m on the staff. [he hands him a note]
Wilkes: Well I’ve never seen you. What’s this?
Timms: Do you need a hand with that, sir?
Akhtar: Is it joined-up writing?

Hector: the best moments in reading are when you come accross something, a thought, a feeling, a way of looking at things that you’d thought special, particular to you. And here it is, set down by someone else, a person you’ve never met, maybe even someone long dead. And it’s as if a hand has come out and taken yours.

‘Uncoffined’ is a typical Hardy usage. It’s a compound adjective: formed by putting ‘un’ in front of the noun, or verb, of course.
Unkissed.
Unrejoicing.
Unconfessed.
Unembraced.
It’s a turn of phrase that brings with it a sense of not sharing, being out of it. Whether because of diffidence or shyness, but holding back - not being in the swim. Can you see that?

Mrs Lintott: Now, how do you define history, Mr Rudge?
Rudge: Can I speak freely, Miss? Without being hit?
Mrs Lintott: I will protect you.
Rudge: How do I define history? It’s just one fucking thing after another.

I don’t understand this. Reckless, impulsive, immoral — how come there’s such a difference between the way you teach and the way you live? Why are you so bold in argument and talking, but when it comes to the point, when it’s something that’s actually happening — I mean, now you’re so fucking careful! 

Dakin: Do you ever take your glasses off?
Irwin: …Why?
Dakin: It’s a start.
Irwin: Not with me. Taking off my glasses is the last thing I do.

1 year ago  /  3 notes

Inception

“What is the most resilient parasite? Bacteria? A virus? An intestinal worm? An idea. Resilient… highly contagious. Once an idea has taken hold of the brain it’s almost impossible to eradicate. An idea that is fully formed – fully understood – that sticks; right in there somewhere.” - Dom Cobb

If you’re going to perform Inception, you need imagination.

COBB: You have two minutes to make a maze that takes me one minute to solve. (Ariadne draws) Stop. (Cobb solves it and rips the paper out) Again. (Ariadne tries again) Stop. (He solves it quickly and rips the paper out) You’re going to have to do better than that.(Ariadne grabs the notepad and goes to draw again, only to flip it over to the blank cardboard cover and starts drawing a circular maze. Cobb tries to solve it and after a minute is over,)

COBB: (satisfied) That’s more like it.

Dreams feel real while we’re in them. It’s only when we wake up that we realize something was actually strange.

Ariadne: It’s pure creation.
Arthur: There’s nothing quite like it.

How do we get out I’m hoping you have something more elegant in mind than shooting me in the head.

This would be a kick.

COBB: To wake up from that after… after years, after decades, to become old souls thrown back into youth like that. I knew something was wrong with her, but she just wouldn’t admit it. Eventually she told me the truth, that she was possessed by an idea. This one very simple idea that changed everything. That our world wasn’t real, that she needed to wake up to come back to reality. That uh… in order to get back home we had to kill ourselves.

1 year ago  /  2 notes

The Mentalist

Cho: If you were thinking about trying that on, don’t. It’s not your shade.
Rigsby: You ever think about older women?
Cho: Where’s this coming from? I don’t think about older women, my mother’s an older woman.
Rigsby: Not old, old. Just older, you know. Older than you.
Cho: Why you asking? You’re not trying to set me up with somebody, are you?
Rigsby: Turns out, you look up the available scientific evidence on the Internet, and they got less hang ups, like themselves way more than younger women, and they’re at their sexual peak. I mean, that’s what the research says, anyhow.
Cho: What the hell happened to you at that country club?
Rigsby: Nothing, I’m just saying, she spotted us.

Van Pelt: I don’t like it.
Rigsby: Me neither. What’s the alternative?
Van Pelt: It’s immoral.
Rigsby: I don’t know about that. Say your brain gets cooked if you use them a lot. Make you infertile, too.
Van Pelt: What are you talking about?
Rigsby: Microwaves. What are you talking about?
Van Pelt: The seance this evening.
Rigsby: We were looking at the microwave.

Van Pelt: Yeah, laugh. Go ahead. It’s really important to you that kristina’s a fake, isn’t it? Because if she’s not, if she does have a gift, everything you mock, everything you discredit, everything you stand for gets turned upside down.
Jane: Um… Yeah. True. Unlikely, but true.
Van Pelt: And what if your family’s looking down at you tonight from the seance, trying to talk to you, but they can’t because you won’t believe?
Jane: Well, that would be very sad.
Van Pelt: I’m sorry.
Jane: No, that’s ok.

Jane: He’s still here.
Det. Mulvey: Not unless he’s invisible, he’s not, Agent Jane.
Lisbon: He’s not an agent. He’s a consultant.
Jane: No badge. No gun. (whispering) They don’t even give me dental. 1x04

Lisbon: Consultant.  1x06

I love how she says it, like that explains the crazy guy smelling a severed hand on the ground.

Jane: Oh, alright, then, let me explain. You and Miss Duane came up here to have sex in the boss’s office.
Frank: That’s absurd. Why would I do such a stupid thing?
Jane: Well, because it’s forbidden and thus very sexy of course, especially if you have father issues. And who doesn’t? It’s a furtive but powerful challenge to the paternal authority.  1x13

Lisbon: What was his previous employment?
Jane: He was a musician. Jazz guitarist.
Stevie: Yes. How did you know that?
Jane: I looked at his fingers. Guitarist’s fingers. Jazz with a Flamenco edge, judging by the ridge on his thumb.
Stevie: Yes.
Jane: He was playing a gig at one of these ghastly events that you have to go to and you struck up a conversation. You love jazz, so you could talk with him easily, which normally is quite difficult for you outside of business.
Stevie: I…yes…that’s…but
Lisbon: I’m sorry Miss Caid, he’s just showing off. 1x13

Jane: What was it that first attracted you to your husband? Not his looks.
Felicia: Oh, really?
Jane: Yeah, really. He’s not your type.
Felicia: And what is my type?
Jane: Sporty bad boys with a hidden masochistic streak. Not too bright.
Felicia: Not even close.  1x19

Jane: Consultant. She’s the Agent. I’m the consultant.
Lisbon: Agent. 1x20

Lisbon: And what did you learn?
Jane: He didn’t kill Russo, and golf is, oddly, very easy.
Lisbon: And you’re sure of this?
Jane: I’m very sure. It’s all about rhythm. Anyone could do it.  1x20

Lisbon: So if Russo’s car was still parked outside house of games, that means somebody must have picked him up.
Van Pelt: Maybe the arcade security cameras have a picture of who it was.
Lisbon: Why don’t you two find out?
Rigsby Right.
Jane: Yeah, you guys go find out. I’ll find the couch. Oh, there it is. 1x20

Cho: Are you gonna tell me what that’s about?
Jane: Uh… Wouldn’t you rather it be a surprise?
Cho: No.
Jane: Oh, look! Look, look! Strawberries! 2x01

Rigsby: My bet, she’s a jumper.
Van Pelt: I hope not.
Cho: If she’s a jumper, job’s done.
Rigsby: Yeah, the senator’s husband dumps her, she wants to make him feel bad, she comes out here… splat.
Van Pelt: Don’t talk that way.
Rigsby: Okay, not splat. Bam. 2x02

Journalist: Special agent Minelli, our condolences. Would you describe your feelings at this terrible time?
Minelli: Wow, Meredith. That… You media guys - That’s just… You know, for eight years I’ve put up with the idiotic questions of the media and I’ve never said squat. But today… I must tell you, Meredith, you’ve really set a new standard in horse’s assery. You people have no concept of what we do. We go into dark, horrible places, alone and afraid, and we do it with no money, with broken-down vehicles and with computers that have more viruses than a $10 whore. How? Good people. And I lost three good people today, and a fourth who’s in critical condition. And you ask me how I’m feeling? I’m feeling sad, you… moron. 2x08

Lisbon: You son of a bitch. You scared the crap out of me.
Jane: Please, like I don’t know how to work a fat crowd of suckers.

George: If I may say so, what I do very much resent is the tone of your questioning.
Jane: Huh.
Lisbon: I’m sorry if we’ve offended you. I…
Jane: No, don’t say that. This is a murder investigation. I can be as hard-ass as I’d like to be, thank you.
Lisbon: Actually, it’s not a murder investigation yet. If Mr. Ward dies, which seems likely, it’ll become a murder investigation. 2x09

Cho: How many fingers?
Jane: Six. Haven’t we got a murder to solve?
Lisbon: You were unconscious.
Jane: No, I wasn’t.
Cho: Jane, you were.
Jane: Was not. Your turn. 2x10

1 year ago  /  1 note

the social network interviews

“When I was 13, I had to go to bat mitzvahs every weekend and this is like the same thing. You have to put on a suit every weekend to go meet with a lot of Jews. [laughs] It’s been very nice. The alternative is worse, where no one likes your movie. I’ve experienced that, and this is better.”

DAVID: You need a ridiculous hat, so. 
ANDREW: What do you mean, “ridiculous”? [Jesse laughing] I look good in this shot, right? No, I — you’re making me look cool, right?

David: No, I- I…
Andrew: You’re making me look cool, right? 
later…
Andrew: How’s that look?
David: I think it’s truly terrible.
Andrew: In a fantastic way? 

Andrew: How was I in that little…?
Jesse: Amazing.
Andrew: Is that right?
Jesse: You were really responsive and obedient… You looked like you were listening without listening.
Andrew: That’s exactly what I was going for. Thank you so much.
Jesse: You looked like you were trying to look like you were listening.
Andrew: You’re not just saying that to make me feel good.
Jesse:  I was trying to make you feel bad.
Andrew: You confuse me now.

We shot 99 takes of the first scene. I wanted to take them through that process to a point where they’d literally forgotten their own names. I wanted to take them past the point where they go, “But I had it all worked out”. Because that’s when amazing, real things happen. There’s this moment where Rooney interrupts him and says “Mark!”. And Jesse did this thing where he leaned forward in a very prodding way and said “Erica!” Oddly condescending. She gets really pissed off — and he’d never done it before. It was kind of great. I went up to him and he said, “Do you want me to do it again?” And I said, “No, but I bet you it’s going in the movie.” - David Fincher

Jesse: “This scene, which I didn’t remember, but I was reminded by Andrew ‘cause Andrew told me that he said this in an interview about me: this chicken wouldn’t turn around. We had to get the chicken to face one way and it wouldn’t turn around and I guess I was studying Russian history at the time so I’d go talk about bolshevik revolutionaries to the chicken and only then would he turn around. And as an experiment I tried to talk about something else and the chicken wouldn’t turn around, (laughing) so Andrew kept telling me to talk about these obscure Russian revolutionaries and then the chicken would turn around. And we would joke that the chicken was so annoyed and bored with me that I was talking about this like very dry history that it would face away from me.”

Andrew: “He literally would sit down and ‘Well, what was interesting, in the turn of the century…’ and every single time the chicken would look at him and turn his back on Jess. And then we’d roll. That was kind of … (laughing) I don’t know how he discovered that, ‘cause Jesse’s weird.”

ANDREW: I didn’t expect this moment to have such a profoundly creepy impact. And it’s, it’s to do with — his eyes change in this scene, his intensity —
ARMIE: He looks like a reptile, almost.
ANDREW: — Jesse’s intensity becomes, um, I don’t know, just like incredibly strong in this scene, and combined with the music, and his body language just shifts. He turns into, he turns into his worst self in that moment, in the most kind of beautiful way.

ANDREW: I need to talk about Brenda Song in this scene. She, um, she is — OK, she’s incredible, and she’s beautiful, and she’s talented, and uh, she is so generous. She would — David was giving her lines to feed me off camera to make me blush, and to make me nervous, and I think the last one was, um, “You know, Facebook me later and maybe I’ll let you — you know — um —” I can’t remember what it was!
JOSH: Oh, come on, dude, what was it, come on.
ANDREW: It was something incredibly dirty, it was like, “Facebook me later and — and — and then maybe I’ll show you my tits, or something.” And it was, it was —
JOSH: Oh, that is not incredibly dirty.
ARMIE: It was so much worse than that, I’m sure.
ANDREW: It was — OK, no, it was probably worse, but coming out of Brenda Song’s mouth, it was —
JOSH: But if it came from Fincher, it was worse than that.
ANDREW: — incredibly innocent, and it was just, so useful, and helpful, and I think you know, that was the last take we did, and Fincher was, “Oh, OK, yeah, that’s it, got it.” Like, it was really — she was so generous.

ANDREW: Should we talk about our off-lines to you during this scene?
JOSH: Oh my God, every single take —
ANDREW: It was the filthiest things —
JOSH: — every single take.
ANDREW: It was like a mixture of Fincher, and Jesse, and Bob, the AD —
JOSH: Fincher gave you a good one at one point, that’s the one that I think that almost —
ANDREW: Which one? What was it?
JOSH: — that it broke. I can’t remember.
ANDREW: I think Jesse said one about like, “Oh, sorry, I—” They gave me the — I just kind of laughed my way through it, I said, “Oh, sorry man, think there’s some, uh, there’s some girls just sewing up their hymens in there.”
JOSH: Oh my God, that’s what —
ANDREW: Just terrible, just awful.
JOSH: That came from Fincher.
ANDREW: No, that was Jesse.
JOSH: Oh, that was Jesse?
ANDREW: That was Eisenberg, yeah. Somehow. The mind of Eisenberg.

JESSE: In this scene, Mark is supposed to laugh, you know when the girl unbuttons his pants. And, like, I did a laugh, and then I did a different laugh the next take, and David Fincher said, “No, no, no, what happened? Where’d that laugh go?” I said, like, “What laugh?” He said, “That laugh you did in the first one.” I was like, “I don’t remember it.” So they brought me by the monitor, and I heard the laugh. I didn’t think it was that interesting, but that’s what I had to replicate fifty times while Andrew got to make out with Brenda Song. I wonder what he’s telling on his commentary track.

ANDREW: This was a tough scene to do, let me tell you.
ARMIE: Oh, yeah.
JOSH: I’m sure. How many takes of that did you have to suffer through? There was a lot of rehearsal for this.
ANDREW: Fincher let this moment go on to the point of complete uncomfortability when she exits frame and leaves me, um — and I’m like, “When is he going to say something?”

ANDREW: [Justin Timberlake] withered me in this scene. He was so powerful and I was so pissed off. He’s so strong in this scene. And Jesse’s face! Look at Jesse! He’s in love. He’s like a puppy —
ARMIE: Jesse, he’s like going through hero worship —
ANDREW: Yeah, it was so — it was infuriating.

ANDREW: Everyone got a chance to mess about because there was this montage-y thing that David did that allowed Brenda, Jesse, Justin and myself to just try and one-up each other in terms of making each other laugh and screw each other up, and the dynamics that were happening were really fun.

JUSTIN: Oh, these are the scallops. These are really good.
JESSE: There’s only three and there’s four of us. (pause) Eduardo, you probably can’t have one.
DAVID: Cut!
ANDREW: (cracks up)

ANDREW: Joe Mazzello is always bored in the back of a shot. He’s always doing something! It’s incredibly charming and distracting.
ARMIE: They tacked on a bunch of extra days for him too, didn’t they?
ANDREW: Yeah, yeah, because it’s adorable!
ARMIE: “War-do!” (everyone laughs)
ANDREW: There was one great take that he did when we move into the new Facebook offices and I’m signing the papers that will lead to my, you know, demise, and he looks in through the window at me and makes this excited face and they didn’t use it in the film but I think there should be, like, a whole section of the DVD dedicated to that.
ARMIE: To the many faces of Joe.
ANDREW: The Many Faces of Mazzello.

JESSE: Joe brings such a nice levity to the movie in contrast to what Mark and Eduardo are going through, which is so dramatic. In a role that had I played it, I wouldn’t have found the things that Joe found.

ANDREW: (later) There’s Joe! There’s our favourite boy! The way he talks is so interesting. He’s like a muppet!
JOSH: He was the little kid in Jurassic Park. I can never forget that.
ANDREW: Oh my God, are you kidding me? Are you kidding me. I was so jealous of the young Joe Mazzello when I watched that movie. I was like, ah, that kid. That kid is going to be the bane of my existence.

ANDREW: Jesse looks older in [the deposition] scenes. And especially in that scene, his face was — his face looks older, somehow. Like, he looks more relaxed. His face shifts constantly in this role, I think, he goes from being open, to vulnerable, to mostly guarded, to evil. Like he has this amazing, I don’t know, he’s able to kind of shift. Enigmatic.

JESSE: The (foreign talk) shows are seemingly designed to humiliate the American guests. Uh, they show, like, the stupidest pictures of you and they kind of make fun of you and then the audience laughs and then you get it translated and it’s… yes, they’re making fun of me and you don’t have time to respond because they’ve gone on to something else Spanish.

Conan: There was an Entertainment Weekly cover that you were on, and it was “Sexiest Geeks Alive”. And I thought… [catcalls from the audience] Well, that’s very nice.
Jesse: It’s that sympathy. And thank you for it. I wish they didn’t have to kind of qualify, why couldn’t it just be Sexiest Alive? You know, no need for the other word. I spent the last 25 years of my life trying to avoid that, so then Entertainment Weekly decided to put it on a magazine with my face. Yeah, it’s… a real honour.

Jesse: My life is feeding and cleaning cats and then I get to be the sexiest geek alive.

Do you guys smoke? If you do, there is no problem if you wanna smoke here. (Cigarettes above the screen)
[all look confused]
Andrew: Lies, lies!
Jesse: It’s like a horror movie.

Question: Are sport channels a danger for sexual life?
Jesse: What does that have to do with se-sexual life?
Andrew: That means like, men are distracted by sports.
Jesse: … Oh. Yeah, yeah, yeah, they’re a danger.
(Justin and Andrew laugh)

JESSE: Uh, I don’t have a facebook page, like the others. I set one up under an alias, as Andrew Garfield for a few weeks, and made no friends. No one was interested. Except, uh, Andrew’s alias, who wanted to be best friends with his own fanpage.

JESSE: You’re making a whole big deal out of this. ANDREW: I know… I am?

ANDREW: Jesse, your character is a bit of a geek, about the Internet.
JESSE: Subjective.
ANDREW: What do you geek out about? 
JESSE: Thanks Sandra, thanks Andrew.
ANDREW: You’re welcome.
JESSE: Ha. I love geography, I have maps at my house. I like old maps. I like correcting the old maps with a sharpie, and drawing the new countries, uh where they belong.
ANDREW: Wow. (laughing) Really? That…sounds so dull!

JESSE: I also feel inspired to go off book, um, and ask Andrew, um, in this movie my character falls out of love with your character. How did you fall in love with me on screen?
JUSTIN: And off.
JESSE: And or off.
ANDREW: Um, I could choose to answer this honestly… and I’m going to. There’s something about your face, that kind of um, engenders (laughing), a kind of… a well of um… joy! Springs from my soul. And uh, it’s pure projection. It’s nothing personal. It’s actually nothing to do with you; it’s just that you remind me of a dog I once had that I was very much enamored by.
JESSE: Whatever it takes.
ANDREW: And your physicality is that of um…
JESSE: A dog?
ANDREW: Yeah, well, yeah. A dog.
JESSE: Was it a golden retriever?

Jesse: Okay, so this next question is submitted from me and it’s to you.
Justin: It’s unscripted.
Jesse: So, in this movie my character looks at you as a God and really falls in love with you. How did you fall in love with me? On-camera or off.
Justin: Um, you really want me to do this in front of everyone?
Jesse: Yeah, ideally we can get more people in here.
Justin: Um, I gotta say it was the upper-inner thigh massage.
Jesse: Great. I thought it was more than just the physical.
Justin: Nope.
Jesse: I guess I was wrong.

Andrew: Money don’t buy you love. You know what I mean?
Justin: No, it certainly can’t.
Andrew: I’m rich in soul.
Justin: That’s what I tell people about you. They say, “How was it working with Andrew?” I said, “That dude is rich in soul.”
Jesse: But always asks to borrow money.
Justin: Yeah, cause’ he doesn’t have any.
Jesse: He says I’ll exchange it for soul.
Andrew: *starts laughing*
Jesse: Not very helpful when you’re hungry.       - Moviefone Unscripted

Andrew: He had to repress a lot of his sexiness as well, which I think he found very difficult.
Jesse: I thought that was a great failure, the repression.
Andrew: It still came through in the end. Sue me.

Interviewer: Jesse, you’ve become the master of this hyper-articulate, semi-deadpanned film character. I’m thinking of The Squid and the Whale and some of the other great stuff that you’ve done. I was going to ask you how close to your personality these characters are, but now I think I’d rather ask the other three guys—or the other four guys—to tell me, since you know him. How much like these kind of guys is he?
Andrew Garfield: [after Armie Hammer and Aaron Sorkin have spoken] I mean, like, he had to repress a lot of his sexiness as well, which I think he found very difficult.

David Letterman: What do you know about Mark Zuckerberg?
Jesse: Well I know everything about him, having played him in a movie, but I’ve never met him.
David Letterman: Did you try to contact him in the research for the film?
Jesse: He wasn’t involved in the movie. I would’ve really liked to. The strangest thing happened; my cousin got a job at Facebook while we were shooting, so I’m hoping to meet him. I like to meet all my cousins bosses.

Letterman: I saw a picture of the kid today - the actual Mark Zuckerberg - there is a similarity there. I mean, you look very similar to one another and I wonder… do you share — you don’t know if you share any common traits? I mean, sometimes people who look alike are alike. 
Jesse: Uh right, right. And we are in so far as we look alike. Um, no he’s like a — he’s a brilliant computer programmer and uh, I am a… play actor

Dave: Are you in the Facebook network family?

Eisenberg: I’m not. I’m not on Facebook. And um people have written mean things about me on the internet and um, as a self-hating person I didn’t want to contribute to that… by writing more about myself all the time.

Dave: Why are people writing mean things about you?

Eisenberg: I don’t know, I wish I did. I don’t know.

Jesse: I listen to uh, musical theater. Probably not going to be very exciting for the Nylon audience. I love the band called Ween — they’re probably my favorite band that I have, but otherwise I listen to musical theater because… my mom didn’t know how to raise a boy.

JESSE: My style is like, everyday is laundry day. I feel dumb in all things, except, uh, one piece pajamas…with a butt flap.

Jimmy: Just hanging out in a dorm room with Justin Timberlake and Jesse Eisenberg.
Andrew:Yeah, popping and locking and being neurotic
Jimmy: What?!
Andrew: I said neu— I’m British so “neurotic” may have sounded like “erotic.” Is that what you thought?
Jimmy: Yeah that’s what I thought you said, yeah. Exactly what I thought you said, good. Being neurotic.
Andrew: There were three of us in there, so like, neuroses, dancing, and eroticism. Place that onto whoever you choose.

Andrew:  When I first met you it was the same time you first met me.

Jesse:  What a coincidence.

Andrew: And that speed and clarity with which you did that first reading, I was immediately reassured that you were going to be, you know, okay.
Jesse: I also thought you’d be adequate.

Andrew: When did we first meet?
Jesse: Uh.. the first time I met you was at the reading, the table reading of the movie, we were all reading the script.
Andrew: Yes.
Jesse: And I remember thinking uh… two things, one is how serious you appeared… to me personally.
Andrew: Really? That’s really upsetting.
Jesse: No, no, no. We were all  in a very high pressure situation because no one knew if we were actually in this wonderful movie or not. We all just knew that we were doing this reading of this wonderful script.
Andrew: That’s right.
Jesse: And when we were reading it I was surprised to see how funny you were in the movie because I didn’t read your part as particularly comedic and yet when you’re doing it, it’s like “Oh my God, that’s so funny and charming.” Specifically the scene where you meet Brenda…
Andrew: Right.
Jesse: And Malese in the Bill Gates conference. I thought, “Wow, that’s so funny. I hope we do this together.”
Andrew: That was nice of you to say that. Thank you.

Interviewer:  So, we basically raided various social networks and plundered some of your fans thoughts, opinions, and questions.  We’re going to give them to you. 

Justin:  This is going to go great.

Interview: “Eisenberg has a real underlying passive aggressive arrogant side to him, I think. That makes me sound like I don’t like him but he’s my favourite young actor right now.” Quite a backhanded compliment.
Jesse: Was that written by my father?

(Taking Andrew’s profile picture for his fake-facebook)

Andrew: Can it be a picture of Jesse? 

Interviewer: Jesse can be in it. 

Andrew: Can it just be a picture of Jesse as my profile picture? 

Jesse: I’ll try to look good like Andrew. 

Interview: Could we have your life in a sentence maybe?
Andrew: “What a great time!”

[after creating a pretend Facebook page for Andrew]
I: Do you guys wanna say anything about Andrew? Like interests, activities.
Jesse: …Andrew’s an expert gymnast.
Justin: He likes chicken. Lots of chicken.
Andrew: I really do.
I: Do you want to put a life quote? Like a life mantra?
Andrew [to Jesse]: What would you say my life mantra was?
I: You can’t just keep turning to Jesse!
Jesse: He exclusively quotes Mussolini.

Joy: You’re becoming an even bigger star, what would you say to kids like you?
Jesse: Drop out of school like I did and you’ll become really, really famous. It’s fantastic - it’s so much fun. I stay in hotels and eat chocolate all day.

Interviewer (to JT): Another album or just acting?
Andrew Garfield: I’m just acting for the moment. I feel like I, uhh, you know, my last album flopped. No one bought it and no one listened to it. Umm, I was proud of it but it doesn’t really matter to me. But, you know, if I make another album, I’m not going to release it. 

Interviewer: You do have facebook pages though. (to Justin) Because you have four million likes people on your website.  (to Andrew) You have about 500.
Andrew Garfield: Is that supposed to make me feel bad? Is this supposed to be defining who I am as a person? Is that what you’re saying?
Justin Timberlake: Now look what you’ve done.
Andrew Garfield: Hold me back.
Justin Timberlake: See what you’ve done? Why did you do that?

Interviewer: You’re moving onto a very huge wild budget movie with Spider-Man. Any thoughts…any thoughts on…
JT: You’re Spiderman?
Andrew: Don’t tell him. Don’t tell him. He loves Spider-Man. I’ve been trying to keep it from…
JT: You’re Spider-Man?
Andrew: Let’s move on.
JT: Why didn’t you tell me?
Andrew: Look it’s nothing personal Justin. Can we just finish the interview?
JT: I thought we were - I thought we had something.
Andrew: We do, we do. Just remain professional.
JT: You’re Spider-Man and you didn’t tell me?
Interviewer: Maybe you can give him a superhero role. (to Justin) Would you play a superhero? Maybe?
Andrew: *can’t hold it together and starts laughing*
JT: *laughs along with Andrew*

REPORTER: You two are at odds in this movie, in a sense—
JUSTIN: —but not in real life. (leans his head on Andrew’s shoulder)
REPORTER: You love each other.
ANDREW: (wipes his shoulder)
JUSTIN: …
ANDREW: (laughs)
JUSTIN: You almost pulled it off without laughing!

While we were rehearsing the movie, I went on facebook for three weeks under an alias and I got an email a week into my experience there saying I should be friends with this person who was friends with my sister in high school that I used to know. I have no idea how they linked us together and I signed off in fear.

“Um… There was, uh… You know, the idea of the scene is like that, you know- Mark finally like kind of like um… you know… uh… gets… well… uh…in the… well… the… uh… Let me think… the… The whole kind of idea of the scene is that you don’t know who’s there and then you see my character’s iconic Adidas flip flops.”

ANDREW: I miss, you know, the rain, and I miss, you know, being miserable and bumping into people on the street and, you know, getting in fights nearly every day, I really do miss that. Yeah, no, I get in at least one fight a day. I break at least one bone—either my own or the person I’m fighting, usually my own—a day. Just, like, anywhere, really. Supermarkets. You know, Radio One…

RADIO ONE: Oh, wow, you’re gonna break my nose?

ANDREW: I mean, if you’re cheeky, yeah.

Colbert: Can I ask you something about the ladies in it?
Sorkin:  Sure, yeah.
Colbert: Okay, you’ve got the opening scene, which a lot of people have heard about. It’s very crisp, it’s Zuckerberg and his girlfriend, the one who broke his heart, that lead him to make —
Sorkin: Yeah, the girl who would start Facebook.
Colbert: Exactly. She is super smart and she definitely gets the best of him. The other ladies in the movie don’t have as much to say because they’re high or drunk or fucking guys in the bathroom. Why are there no other women of any substance in the movie?
Sorkin: That’s a fair question.
Colbert: Thank you.
Sorkin: There is, there’s one other woman, Rashida Jones, who plays a young lawyer in the deposition scenes. […] She’s a trustworthy character and she’s a stand-in for the audience. The other women are prizes, basically.
Colbert: But are women at Harvard like that? That’s what I wanna know. — Stephen Colbert interviews Aaron Sorkin, writer of The Social Network

Jesse: Andrew drives, like, a little scooter. Um, cause he’s English. So when we were going long distances, I would, I would drive him in the morning, and um, he had to be cordial to me then, because I’m a terrible driver.
Andrew: He really is. He drives in the, um, in the parking lane, and uh, honks at old people a lot. You have no patience for old people in, in cars.
Jesse: Old and young. It’s seems like everyone in LA just like stops at the light and then just starts, like, text messaging…
Andrew: Their agents.
Jesse: And then the light turns green and they’re just still doing that.
Andrew: Because they’re waiting for jobs. They keep on doing, um, the…
Jesse: The refresh button.
Andrew: Yeah.
Jesse: It’s either that, or they’re stoned. But everybody in LA seems to just stop on the street, in front of me.
Interviewer: In front of you particularly.
Jesse: Exclusively.

“He is, above all else, inconvenienced and irritated by having to appear at these deposition rooms. He is running a major organization at this point, Facebook, he is worth over a billion dollars and feels so frustrated that he has to come and defend himself against what he feels is a complete irrelevancy.” Jesse Eisenberg on playing the older Mark Zuckerberg

Andrew: Within this relationship there are clear, clearly two perspectives. I see him as my brother, he sees me as less than that. Otherwise he wouldn’t have been able to behave the way he behaved. And I find that absolutely fascinating, that during all those first scenes I was investing all of this energy and time into trying to educate him and help him and support him. You know and not only time, but money. I gave him my money and my trust and my love and my loyalty and I was there for him. And I’m speaking like I’m Eduardo.

It felt important to me, that Eduardo sees…well Andrew sees Jesse as his younger brother that I’m trying to navigate and guide through the minefield of collage life and that I care about him deeply, that was easy for me to do as I care about Jesse deeply and I cared about him as soon as I met him, because he just looked so fragile and vulnerable and as soon as you get to know him a little bit you admire him greatly in his brilliance. -Andrew Garfield on working with Jesse Eisenberg in The Social Network

“And, me and Jesse- like, it was already there. You look at Jesse’s face and you kind of just want to engulf him and protect him from the world… He’s this vulnerable creature. And a wonderful, wonderful, brilliant mind and a brilliant actor.”

“Eduardo cares about Zuckerberg, he cares about him deeply, instinctively, like he cares about a little brother. And he wants to protect him and sees all these amazing qualities, all these qualities that could be shifted. From Eduardo’s perspective, he needs to be a little bit better with communicating with people, himself included. He sees him as his little brother, in a very loving and nurturing way.”

Andrew:  … and… intimacy means sharing… and um… you know… we all know what intimacy means… um…. uh… *chuckles* haven’t got to define that…

Isobel: We got to discuss what we thought Carey ― Kathy would be like and it was helpful because we made decisions about what we would do in certain scenes and characteristics that Carey would have. Kathy would have! The names are so similar!

Carey: Do you want to go first?
Andrew: Okay. Yes. Yes, I would actually.
Carey: I already know your answers. *laughs*
Andrew: *laughs* This is great.

Interviewer: Kids are stripped away of possibility in their youth. Is that something that, as actors, you escape by doing the things you do? Is that one of the reasons you are actors?
Carey: You should answer this because you’re vehemently nodding your head.
Andrew: I hated school.

JUSTIN: I’m excited to be here with Andrew Garfield, congratulations again on your handsomeness and your breakthrough award.

ANDREW: But then the clip was so long, that made me feel like, worried, I was like, ‘Oh this is gonna be — no this is boring’, and then that photo that came up, I didn’t really like that photo and… it’s just a bunch of stuff. I have mixed feelings about this whole moment now. 

ANDREW: Especially, I want to thank the two very young, talented, inspiring casts that I feel privileged to know as people and to work with, and you know, I feel like those two experiences have shaped me in a positive way and it’s because of being inspired by those young actors. I want to thank all of them. I wish I uh, could have more time and say them all by name but you know, they know who they are. You know I love you all very much and some of you are here, and Carey of course included in that. 

1 year ago  /  91 notes

The Doctor: Ok! One more. Just one. Is this world protected? Because you’re not the first lot to come here. Oh, there have been so many! And what you’ve got to ask is… what happened to them? (The Atraxi shows all The Doctors) Hello. I’m the Doctor. Basically… run!

ANGEL BOB: The Angels are wondering what you hope to achieve.
THE DOCTOR: We’re just hanging. It’s nice in here, consoles, comfy chairs, a forest. How’s things with you?
ANGEL BOB: The Angels are feasting, sir. Soon we will be able to absorb enough power to consume this vessel, this world, and all the stars and worlds beyond.
THE DOCTOR: Well, we’ve got comfy chairs, did I mention?
ANGEL BOB: We have no need of comfy chairs.
THE DOCTOR: [laughing] I made him say comfy chairs. 5x05

Amy: Stay with us, please, just for a bit? I want you to stay.
Doctor: Fine with me!
Rory: Yes, I would like that!
Amy: Nice one! I will put the kettle on. Hey look at this, got my space ship, got my boys, my work here is done!
Rory: Pft… we are not her boys!
Doctor: Yeah we are.
Rory: Yeah we are. 5x06

“Hey. Amy. Amy. Amy. Amy. Amy. Amy. Amy.”
“…Doctor?”
“I’m in the shower. AHURHURHURHUR.” 

Craig: That was incredible. That was absolutely brilliant. Where did you learn to cook?
The Doctor: Paris in the eighteenth century. No, hang on, that’s not recent, is it? Seventeenth. No, no, no, twentieth. Sorry, I’m not used to doing it in the right order.
Craig: Has anyone ever told you that you’re a bit weird?
The Doctor: They never really stop.

The Doctor: Rory! That’s a relief. Thought I’d burst out of the wrong cake. Again. That reminds me, there is a girl standing outside in a bikini. Could someone let her in and maybe get her a jumper? Lucy…lovely girl. (Whispers) Diabetic.

DOCTOR: Well, I wanted to see how you were, you know me I don’t just abandon people when they leave the TARDIS. This Timelord’s for life, you don’t get rid of your old pal The Doctor so easily.
AMY: Mmm, you came here by mistake didn’t ya?
DOCTOR: Yeah, bit of a mistake, but look, what a result. Look at this… bench. What a nice bench. What will they think of next?

Rory: We were married.
Amy: Yeah. In a little village.
Rory: Sweet little village, and you were… pregnant.
Amy: Yes, I was huge! I was a boat!
Rory: So we had the same dream then? Exactly the same dream.
Amy: Are you calling me a boat?

Doctor: I’m missing something obvious, Rory, something big, something right slap in front of me, I can feel it.
Rory: Yeah, I think you probably are.
Doctor: I’ll get it in a minute.
[The Doctor realises it’s Rory. He pokes Rory in the chest.]
Doctor: Hello again.
Rory: Hello.
Doctor: How have you been?
Rory: Good, yeah, good. I mean, Roman.
Doctor: Rory, I’m not trying to be rude, but you died.
Rory: Yeah, I know. I was there.
Doctor: You died, and then you were erased from time. You didn’t just die, you were never born at all, you never existed.
Rory: Erased. What does that mean?
Doctor: How can you be here?
Rory: I don’t know. It’s kind of fuzzy.
Doctor: Fuzzy.
Rory: Well, I died and turned into a Roman. It’s very distracting.

Rory: This box needs a guard, I killed the last one.
Doctor: No, Rory, no. Don’t even think about it.
Rory: She’ll be all alone.
Doctor: She won’t feel it.
Rory: No, you bet she won’t feel it.
Doctor: Two thousand years, Rory, you won’t even sleep. You’ll be conscious every second, it would drive you… mad.
Rory: Will she be safer if I stay? Look me in the eye and tell me she wouldn’t be safer.
Doctor: Rory…
Rory: Answer me!
Doctor: Yes. Obviously.
Rory: Then how could I leave her?
Doctor: Why do you have to be so… human?
Rory: Because right now I’m not.

Rory: Hello!
Amy: Do you feel like you’ve forgotten something really important? Do you feel like there’s a great big thing in your head and you feel like you should remember it but you can’t?
Rory: Yep?
Amy: Are you just saying that since you’re scared of me?
Rory: Yep.
Amy: I love you.
Rory: Yep. I mean, I love you too!

Can I talk about this scene for a moment? If you don’t want to read, feel free to delete the text. I really don’t care. But for real, can I talk for just one second?

 The Doctor’s just told Rory to step away from his wife, the woman he loves more than anything else in the entire universe, and it’s pretty evident in both the Doctor’s voice and his expression that this is imperative. If there was ever a time that Rory had to listen to what he was saying, this was it; this shit is vital. And if Rory doesn’t listen and do what the Doctor is asking telling him, then the Doctor will find a way to do it. Because this shit? It has to happen. And even though Rory wants his wife to be safe and will do anything to ensure her safety, he does what the Doctor tells him.  He does it because he trusts the Doctor, because he knows that the Doctor loves Amy just as much as he does, because Rory knows that the Doctor loves him, too, and would never do anything to hurt him. Which is why Rory has to listen - not because the Doctor told him to, but because he knows in his heart that this is the right thing to do. 

1 year ago  /  3 notes

Bones

DAVID: Emily is always eating healthier than anybody on the set.
TAMARA: David generally gets the pie.
EMILY: He [David] got mad when I made my gluten-free scones and I didn’t give him one.
MICHAELA: John has gotten fries because I’ve eaten some of his fries.
TAMARA: I’m generally the one that asks for the dumbest thing.
MICHAELA: TJ always gets berries.
TJ: Michaela’s is always changing. She starts with fries, then she’s got an omelette, then she’s got oatmeal. So, she hasn’t found her food yet. She changes it up all the time.

6x01

BOOTH: The perfect murder?
BRENNAN: I’m a forensic anthropologist. It would be odd if I didn’t consider the perfect murder. First consideration. Complete annihilation of the body. No body, no murder. Perfect.
BOOTH: Why are we talking about this?
BRENNAN: My car. I choose the topic of conversation. Also my car uses excellent gas mileage. Currently 51 miles per gallon.
BOOTH: Okay. You win. So, lets talk about the perfect murder.
BRENNAN: Of course at this point I’m simply being theoretical.
BOOTH: What do you mean “at this point?”
BRENNAN: Well there are so many variables in a persons life, it would be irrational to rule out the possibility of murdering someone.
BOOTH: No its not. You say “I’m never going to murder someone.”
BRENNAN: I don’t believe in absolutes.
BOOTH: Scary. You know what? You’re really scaring me right now.
BRENNAN: Because you know that if I did commit murder you’d never be able to catch me.
BOOTH: I could catch you.
BRENNAN: No. My plan is foolproof.
BOOTH: Oh now it’s an actual plan.
[Brennan smiles] 6x04

CAM: Professor Jude turned out to be quite impressive, didn’t he?
BRENNAN: Well, if you’re six years old.
CAM: A kind mind is a fine mind! [sees their reactions] It’s just.. that stuff gets into your head, and… Go, Angela.

Angela: Hey, you have to go on The Dude’s kiddy show.
Brennan: No, I don’t. Why?
Angela: Because it’s the dream of every kid in this country who likes science even a little bit.
Brennan: I’m not a kid. I’m a fully grown adult.
Angela: Okay, then do it for your inner child.
Brennan: If you’re referring to a fetus, I, unlike you, am not currently pregnant.
Angela: Sweetie. You go on this show and millions of little girls are going to look at you and say to themselves, “I can be like her, a scientist or an astronaut or a brain surgeon, blah-de-blah.” You know, shoot for the stars. All that.
Brennan: Even with the “blah-de-blah”, it seems very important to you.
Angela: Yeah. If I have a daughter, I’m going to name her Temperance.
Brennan: You are?
Angela: [nods] I mean, we won’t call her that, it’s awful, maybe it’ll be her middle name, but I want her to love you.
Brennan: You love me.
Angela: Yes, but not everyone is as willing to look as hard for your inner child as I am. And this kid is half Hodgins, remember? 6x04

Professor Bunsen Jude: And what do we say about clarity? It’s a barbarity that clarity is a rarity!
Brennan: That’s very true. 6x04

We use our mind Embrace what’s new Because that’s what science do  6x04

6x04

6x05

6x05

-In tribes, men like you are elders. They don’t have to hunt anymore.
-Well, I want to go hunting!
-…Perhaps you’ll feel better after you get your form signed. 6x06

6x06 

6x07

Cam: I’m no expert in viscosity.

Vincent: I am. I am.  6x07

Vincent: Drum roll, please!

Brennan: It’s closer. 6x07

6x07

Hodgins: Vincent. What’s the matter?

Vincent: I beg of you not to look at me directly. Please just say what you’ve come to say.6x07

Hodgins: You knew, didn’t you?

Brennan: No… we didn’t… 6x07

6x07

Vincent: … then again, Georgetown’s lovely.

Cam: You so much as mention leaving the country to my daughter and I will choke you on your own trivia and stuff your lifeless body in a locker.

Booth: He was a bonehead.
Brennan: [laughing] I, I like that term, it’s very appropriate for my profession

Angela: What are those?
Hodgins: The particulates from the blow-back that lodged in the victim after he was shot.  That wasn’t clear at all, was it?
Angela: I stopped listening…
Hodgins: Okay.  After he was shot, right, the bullet went through him and then it hit the wall or something and then the debris blew back and lodged into his spine.  That any clearer?
Angela: I don’t know, honey, I stopped listening.  The baby was moving!
Hodgins: I am… so jealous I don’t get to feel him yet.
Angela: Oh, don’t be upset.   It’s only the most amazing thing in the world.
Hodgins: [gasps] You’re so cruel. 612

Angela: You know, with this baby coming, we could, uh, we could really use another wife.
Hodgins: Really?  You want me to marry another woman?
Angela: No, not you.  Me.  I could use the help.  I’m gonna be, like… a twenty-four hour restaurant.
Hodgins: I will be your slave, you know that.
Angela: Would you want another wife?
Hodgins: Truth?
Angela: Oh, I’m not sure.
Hodgins: If I could marry you twice, I would do it in a heartbeat.
Angela: [smiles] I wish we could have sex at work.
Hodgins: Really?
Angela: Yeah.
Hodgins: It’s the lab coat, isn’t it?  612

Booth: You can love a lot of people in this world, but, there’s only one person that you love the most.
Brennan: Well, how do you know which person you love the most when you’re confused by chemical messages traveling throughout your limbic system?
Booth: You just do.
Brennan: What if you let that person get away?
Booth: That person’s not going anywhere.612

Brennan: What happens next?
Booth: Okay this is how it’s gonna work, me and you are partners, that’s what we do, we’re partners, and I love that, I think thats great, and we’re good people, who catch bad people right, and we argue and we go back and forth, we’re partners, and sometimes after we solve a case, we come here and we celebrate thats what we do. We celebrate. So as far as I can see that is what happens next, are you okay with that? Because if you are, you stay here and you have a drink with me, alright maybe we have a little small talk, chit-chat, and if you’re not, well you can leave…

Caroline: You’re cute when try to make me happy.
Now you’re just down right handsome.

Oh my god! oh god, okay! baby! baby! okay okay! baby…

622

Vincent: Are you ready to represent the human race?
Hodgins: Psh.  Always!
Cam: [walking in] Life or death, huh?
Vincent: Dr. Saroyan, you are about to witness the first confrontation between man and dinosaur.
Hodgins: I’m the man.
Cam: Thanks for the hint.
Vincent: Okay.  Three, two, one, go!
Hodgins: Oh!
Cam: Ooh, okay, careful.  If you break Hodgins, you will be responsible for raising his unborn child.
Hodgins: C’mon, don’t torture me, just finish this!
Vincent: No, no.  I can’t.  It’s the scapula joint.  It will not rotate beyond forty degrees.
Hodgins: Wait, you can’t finish the deal?
[Going all into it, the T-Rex arm breaks]
Vincent: Oh! [laughing] The pain, the agony!
Hodgins: Yes!  That is one for humanity and zero for the tyrant lizard!
Vincent: Dr. Brennan is going to love this, we are going to be the toast of the conference.
Cam: Go humanity. 622

Please don’t ― just don’t make me go.  I don’t want to go. 622

“Can I just…” 622

Brennan: I love undercover. What will I be.
Booth: You can be my girlfriend.
Brennan: Fine. 623

Wendell: Watch this, i’m about to Brennan-ize you.
Hodgins: Brennan-ize?  623

Wendell: I’m thinking some kind of, uh, ritualized offering to like, the… sun, you know?
Hodgins: Yeah, yeah, like a figure on a high throne, right?  So like uh, like a satanic or illuminati slave!
Angela: Boys… you’re bowling. 623

Max: If you want to make it look real, then you should be a little bit more affectionate with each other.
[Booth kisses Brennan’s cheek & Max gives him a look]
Booth: What?
[Max wheels away]  623

623

1 year ago  /  9 notes

“Ok, ok, break it up!”

“Ted, no! You never break up a girl fight!…NEVER!”

Lily: What are you so chirpy about?
Ted: She’s still drunk from last night.
Robin: I don’t think so. WHOO!         2x02

Robin: You’re sick.

Barney: I’m not sick.

Robin: You’re sick!

Barney: You know what? I am sick - sick of you telling me I’m sick. What up. 2x11

Robin: Did you know that before intercourse, the male and female emperor penguins bow to each other? [bows] Mr. Penguin… [bows] Mrs. Penguin… Oh god, silly penguins acting all fancy!    4x03

Stella: Come on! Let’s just be spontaneous! I used to dream that Tony would be spontaneous like this…

Ted: Okay. I’m in! And I’m also… spontaneous! [pours water on himself] …I wish I hadn’t done that.            4x05

Barney: Do you… wanna touch it?

Robin: Oh my god, it’s warm!     4x10

Ted: Look. This thing with me and Robin, it’s totally casual. I’m not gonna freak out if you tell me you have feelings for her. So, do you?

Barney: Nooo. No, I don’t. I don’t. No. I don’t. I don’t. No. Robin is all yours, dude. Have fun with her. Now if you’ll excuse me, I’m gonna go… sleep with other girls. 4x12

Ted: Barney!
Barney: What? I’m tweeting about you. You should be flattered. How do you spell “blah blah blah”? H’s or no?   5x03

Barney: [whistling, goes to answer the door] Hey!
[Marshall, Ted and Lily enters the room]
Marshall: [punches the storm trooper’s head off]
Barney: Dude! Why would you do that!
Marshall: Because, I’m angry at you, I’m angry at me, I’m angry at Ted, and frankly I’m still angry at the Empire.
Barney: Why are you angry at me?
Ted: Dude! You were a real jerk in front of Robin while she’s going through her mourning period!
Barney: Mourning period? She hasn’t been going through any mourning period!
Marshall: Oy…
Ted: So unobservant.
Marshall: Such a guy. 5x17

Robin: Of course I’m upset, Barney! Don’t you see how constantly talking about your conquests makes me feel like I’m just another number to you?!
Barney: But you’re not just another number to me!
Robin: And now, you’re taking Anita, who you barely know, on this amazing date when I never got treated that way. It just… It just sucks, that’s all. It just sucks.
Barney: Wow. I knew I was bad at being a boyfriend, but I had no idea I’d be so much worse at being an ex-boyfriend. 5x17

Lily: Marshall, whoa! Wait! A big package just arrived.

Marshall: Yeah it did…

Lily: No, no! It’s a real package from your dad.

Marshall: Well, that’s a little weird but… yeah it is.    6x01

Barney: Hey, what are you nervous about? Tell me. Tell me. Tell me! What flowing cotton of fl-

Ted: Okay okay! I’ll tell you. There’s a… there’s a girl sitting at the bar.

Barney: Ooh!

Ted: Don’t look. 

Barney: Wha… I wanna see a pretty girl. 6x01

Lily: Barney, am I crazy? Marshall talks to his dad way too much right?

Barney: You don’t want my opinion on that.
Lily: Why not?
Barney: If I had my dad’s number, I would never not be on the phone with him.
Lily: Wow. That was really…
Barney: WHOA! A HOTTIE WITH A BODY!
Lily: …brief.  6x01

Ted: Okay, Barney. What’s this gonna cost me?

Barney: Excuse me?

Ted: Your dibs. I wanna buy your dibs.

Barney: Two… hundred… and fifty thousand dollars.

Ted: Twenty bucks.

Barney: But… I… Can I go smell her first?

Ted: No.

Barney: Fine. 6x01

Ted: [picks out a cheeto from Robin’s hair] Is this a cheeto?

Robin: No, we ran out of cheetos last week. Oh yeah! It’s a cheeto. Dibs 6x01

MARSHALL: Don’t even touch me dude, ahhh, it’s been two weeks. I’m like a light breeze away from having a big problem. Seriously, it’s…okay, I’m better now.  6x01

6x01

Who was a cute little basketball player before he became the biggest pervert in the world?     6x02

Marshall: Yeah, but that’s [Santa] a good lie. Like when we tell Ted he’ll meet the right girl and settle down.
Ted: I always find that reassuring.
Marshall: You will meet her, buddy.
Ted: You think so?!
Marshall: Yeah!  6x02

Robin: I was all like, “He knows a woman’s body better than she knows her own. Endless waves of pleasure just cresting and breaking for hours and hours, blah blah blah. Orgasms so intense, you just black out.” All that stuff.   6x02 

Lily: God, this must be so hard for Barney.
Marshall: Yeah, but you know what, he took a big step today.
Barney: PAPA!    6x02

Barney: Look at us! It’s like three of the same guy. Oh my god. This explains why I was always so awesome at basketball. Guys, I’m black! Sorry. African-American. No! I’m allowed to say either.      6x02

6x02

Barney: Ted, I admire your loyalty. You’ve had that hairstyle forever. You don’t care that it’s out of fashion or that it’s been co-opted by the lesbian community. You stick with it. To Ted!  6x03

Lily: Sweety, are you okay?
Robin: No. I’m done with the city, it wins. I just wanna move somewhere new and start over.
Lily: You had a rough year. But you’re tough and I love you like crazy. If you left, I’d have to follow you. And Marshall would follow me, and Ted would follow him. The only upside is we might get rid of Barney. Bring it in. 6x04

“Sorry sweety, I swear I’ll be a great friend at the finish line but the conductor just said you’re going express to Borough Hall which means you’re screwed sweety, so long sucker!”
*door opens*
“Bring it in.” 6x04

Robin: So is this ride your way of apologizing for this morning?
Barney: I’m sorry I never apologize, and why would I?
Robin: Are you kidding me?

*Flashback to Barney being insensitive that morning*

Barney: Wait you really had something to talk about?
Robin: Yes, look I’ve spent the last 6 years in this city focusing on my career all for nothing, some lady almost got me killed, Maury Povich stole my cab, I swear this city is starting to reject me like a bad organ transplant. You know everyone keeps saying I’m not a real New-Yorker, well maybe I should just stop trying.
Barney: Robin I had no idea you…
Robin: No it’s my fault for thinking you might care. Rajit stop the car.
Ranjit: Stopping the car.
Barney: No don’t stop the car.
Ranjit: Not stopping the car.
Robin: Seriously stop the car.
Ranjit: Seriously stopping the car.
Barney: Look, you, wait wait Robin hold on, if you wanna talk I’m right here.
Robin: Carrots and Peas. 6x04

Robin: I am too a real New Yorker! 6x04

TED: I know what you did back there.  6x04

1 year ago  /  3 notes

Bones 6x03 The Maggots in the Meathead

Brennan: These copies of his text messages just seem to be random letters. Some kind of code?
Booth: Wait, like “TTFN.”
Sweets: Ta-ta For Now.
(Booth and Brennan are staring at Sweets.)
Sweets: I’m pretty good at these.

Brennan: One thing, Hannah. I want you to be sure about this.
Hannah: The phone?
Brennan: No. Although I understand the misunderstanding. No. About you and Booth moving in together. Booth will give himself to you completely… And it would be very painful for him if you aren’t as serious about the relationship as he is.
Hannah: I am. But thanks, though. You’re a good friend, Temperance. Seeley is very lucky.

HANNAH: Temperance told me that you liked phones, so…
BOOTH: No, I love it! Thanks.
BRENNAN & HANNAH: You’re welcome.

Booth: “Hey, Bones, I’ll see you tomorrow.”
Brennan: “Yes, tomorrow.”

1 year ago  /  6 notes

Barney: I told you: hire a cute assistant that you can sleep with. But instead you hire a cute assistant that Robin can sleep with and of course he’s gonna sleep with her, Ted, LOOK AT HER — SHE’S THE GREATEST WOMAN ON THE PLANET… I’m getting off topic… 4x20

Robin: Hey, what’s up, dudes? Fries?
Barney: Oh, good God, woman. You’re a disgrace.
Robin: No fries for this guy. 6x01

Ted: I’ll keep this simple. You go over there and talk to that girl, I will see you in court.

Barney: And who’s gonna represent you? Dibs on Marshall as my lawyer!
Ted: Damn it! 6x01

Barney: Robin, you do look super hot.
Robin: Oh, do I?
Barney: Yeah, you do.
Robin: Thanks.   6x01

Ted: Robin, I am here for you. Whatever you need.

Robin: Okay, about that. Ted, listen. I know myself pretty well. And, some time over the next few months, I’m going to want to sleep with you. And when that happens, you have to try to say no.
Robin: Try? I will absolutely say no. Our friendship is too important.
Robin: Okay, you know, maybe I wasn’t clear enough. I will come at you with everything I’ve got. I will stalk you like the lioness stalks the gazelle: careful, patient, deadly. And if you let your guard down for so much as a second, as sure as you were born, I will hump your brains out. 6x01

Lily: You know what, Marshall? Why don’t you have a baby with your dad?
Marshall: Oh, okay Lily, why don’t you have a baby with your butt?
Lily: What?!      6x01

Ted: Is this a Cheeto? 

Robin: No, we ran out of Cheetos last week. Oh, yeah, it’s a Cheeto! Dibs!   6x01

6x01

6x02

Robin: Dear Liz, I hope it didn’t sound like I was trying to oversell Ted. The truth is, he is a genuinely nice, down to earth guy, and I think you two would really hit it off.

Ted: Thank you, that’s perfect, that totally takes the pressure off.
Robin: Is he gonna rock your world in bed? No. But he’s clean, open to criticism, and not into anything too weird. He’s not bad at all. Not bad at all.
Ted: See, now you went too far in the other direction..
Robin: I’ll be honest, the first two times aren’t gonna be that great. He is going to say ‘Are you finished?’ more times than a waiter in a busy restaurant.
Ted: Stop! 6x02

“Maybe I did oversell you a bit.”       6x02

Neil: You disgust me! 

Cobie: I disgust you?!

Neil: You do! You do!

Cobie: Ohh that is rich, that is rich.

Neil: Lets talk about some personal hygiene habits!

Cobie: Personal hygiene?!

Neil: Have you ever thought about trimming? Fa fa fa fooey!

Cobie: A trim?! I wax every week!

Neil: I don’t like the kinds of toys you want me to like!!

Cobie: I just want to be pleased, for once in the bedroom!

Neil: I understand, but those are giant, and robotic!

Cobie: I just want one orgasm in our relationship!

Neil: Then stop just laying there, move around and do something!

Neil: Shh, Ted, now’s not a good time. Where do you keep your condoms?

Josh: … What are you going to do to me?

Neil: Turn over, turn over.

1 year ago  /  2 notes

Bones 6x02 The Couple in the Cave

“It’s obvious you and Agent Booth were attracted to each other. I mean, a blind man could see that. I just couldn’t understand why you two just didn’t rip each other’s clothes off! I mean just get all butt naked and…”

BRENNAN: [chuckles] It’s actually quite amusing to think that Hannah could ever affect my work. [walks away, laughing]

 Sometimes when I was away, I would imagine us together.

Booth: It’s sad, you know, but at least they died in each other’s arms.
Brennan: How could that have made their deaths any less terrible?
Booth: Oh, ‘cause it was love. I mean, if you’re gonna go, it’s best to go with someone you love.
Brennan: No, but he didn’t have to go. He could have walked farther and gotten help. At least one of them would have lived.
Booth: Well, he couldn’t leave her. That’s — that’s what love is.
Brennan: So, you’re saying that love is foolish and illogical.
Booth: No, it’s — it’s thinking of someone before yourself. It’s giving your life, if necessary, to that person. It’s, uh, it’s love.
Brennan: And if a person falls out of love and meets someone else, those selfless acts would suddenly appear to be dangerously irresponsible, wouldn’t they?
Booth: No, it was still love.
Brennan: Well, I could never live like that. Survival is the human imperative. If we don’t look out for ourselves, nothing else matters.
Booth: That’s not true, you know that, Bones. That is not true. You know that.

“He saved your life.”

1 year ago  /  42 notes

Cop: Dr. Shepherd?

Detainee: Your lady looks pissed!

Meredith: Again Derek?!     7x01

Derek: I’m sorry, that’s a lie. That’s what people say, and, uh, truth is I hate being chief. I hate it. Chief Webber. Chief Webber’s our chief. Um, and, I’m sorry, but this giant, sorry, I gotta go look at this chordoma. I’m sorry but, I quit. 7x01

TEDDY: Andrew and I just got busted by Meredith Grey.

ARIZONA: Callie’s watching me sleep. 
TEDDY: What?
ARIZONA: She’s watching me sleep. And she only watches me sleep when something is up and I’m afraid she’s gonna propose, or.. start talking about making babies again, which I’m— I’m open to, honestly, just not right now, you know? And I can feel her watching me, and it is such hard work to keep my eyes closed, but I know that if I open them, that something loaded is gonna come out of her beautiful mouth and pop the pretty pink bubble we’ve been floating in.
TEDDY: You want to pop the bubble.
ARIZONA: No- I don’t, though.
TEDDY: Believe me. I’ve been living in that bubble for years. “Oh no, Owen and I, we’re just friends. Really.” Finally knowing the truth, I don’t regret that.
ARIZONA: My bubble is so pink and so.. pretty.
TEDDY: [walks away] Pop the bubble. [Arizona sighs] 7x01

Lexie: My patient didn’t bring her meds and she doesn’t even know their names. If — if I give her albuterol and she’s on propranolol, then she’ll stop breathing. If I give her warfarin and she’s on ibuprofen, she’ll — then she’ll bleed out. If I give her dyphenhydramine and she’s on doxepin, then she’ll die! Do — do — do you think she wants to die?
Mark’s patient: Is she kidding?
Mark: Karev, what’s going on over there?
Lexie: I think that she wants to die, I think that she wants me to kill her. Do — do you — do you want me to kill you?! Because you — you could just get a gun and it would be a lot faster!
Mark: Karev, get her out of here.
Lexie: You know what, why doesn’t somebody find her a gun. Get her a gun and just shoot her, ‘cause she obviously wants to die! Somebody find a gun!
Mark: Karev, help her! I can’t step away, get her out of here!
Alex: [leaving] I got my own stuff to do! 7x01

APRIL: I just went to the cafeteria, and some nurse called me Reed and then said, “I thought you died.”
LEXIE: Yeah, you don’t go to the cafeteria for lunch. They just point and stare.
JACKSON: Is that why you dyed your hair?
CRISTINA: They stare because we should’ve died. 
LEXIE: Pack a lunch. Keep it in your locker. 7x01

Jackson: I dig weddings. I do a mean chicken dance…
Cristina: Oh, there will be no chicken dance. And if you start a conga line? I will physically throw you out. 7x01

Meredith: Again, Cristina. It’s not funny, because you’re not going to get cleared either and the two of us would be serving slushies at the multiplex.
Cristina: Really? I’d choose dermatology over the multiplex.
Jackson: You know, I’d go gynecology over dermatology.
Cristina: Oh, of course you would. Perv! 7x01

Lexie: I think I’d go with psych.
[Everyone stares]
Lexie: That was a joke.
[Everyone fake laughs]
Jackson: That was good.
Lexie: Uh huh.    7x01

Meredith: Anyway, I don’t know what Perkins’ problem is with me.
Cristina: Maybe he saw your file.
Alex: Maybe he knew your mother.
Jackson: Maybe he heard how you told the shooter to shoot you.
Meredith: Not funny.
Jackson: Not a joke.  7x01

Cristina: Perkins is no dummy. He can see the crazy right under the Meredith Grey surface. 7x01

BAILEY: And you two.. I’m awful sorry about the loss of your friends.
APRIL: Thank you.
JACKSON: So are we. 7x01

Dr. Perkins: Dr. Yang, if you don’t feel ready, no pressure. The hospital is prepared to work with you in whatever way —
Cristina: What, I’m sorry, I’m — I’m getting special treatment? ‘Cause I’m the girl who operated with a gun to her head? If you don’t wanna clear me, don’t clear me.
Dr. Perkins: Well, you didn’t show up for your appointment last week, you were very late today.
Cristina: I’m getting married.
Dr. Perkins: I heard that. Congratulations.
Cristina: Can I go now?
Dr. Perkins: When you think about going into an OR, how does that make you feel?
Cristina: God, the women in these magazines. Some of them are actually brides, you know, they’re not all models. All smiling. It’s like the only thing in the world that matters is that they find the perfect shoe to match that dress. God, you know, I knew these girls, I went to school with them. It’s funny. I used to feel sorry for them. They’re simple girls. They just wanna find the guy and get married, you know? Live. I don’t know, I think you’re either born simple or you’re born… me. I wanna be the person who gets happy over finding the perfect dress. I wanna be simple. ‘Cause no one holds a gun to the head of a simple girl. 7x01

ALEX: You look hot. The whole, uh, “crazy eyes, tight dress” thing. It’s, uh, it’s working for you, for whatever it’s worth.
LEXIE: You think that you are so badass cause you lived. I’m the reason that you lived. And while you were dying, you were crying out for the wife who left you. So that’s the opposite of badass, for whatever it’s worth. 7x01

CALLIE: I’m gonna do it.
MARK: You’re drunk.
CALLIE: That’s why I’m gonna do it. 7x01

Cristina: I never gave you any crap about your post-it.
Meredith: You look beautiful.
Cristina: I know. How’s Owen? Is he good?
Meredith: Owen’s perfect. He’s perfect.
Cristina: Thank you. 7x01

Meredith: *voiceover* When we say things like ‘people don’t change,’ it drives scientists crazy. Because change is literally the only constant in all of science. Energy, matter, it’s always changing. Morphing, merging, growing, dying. It’s the way people try not to change that’s unnatural. The way we cling to the things that were, instead of letting them be the way they are. The way we cling to old memories instead of making new ones. The way we insist on believing, despite every scientific indication, that anything in this lifetime is perfect. Change is constant. The way we experience change, that’s up to us. It can feel like death, or it can feel like a second chance at life. If we open our fingers, loosen our grips, go with it, it can feel like pure adrenaline. Like at any moment, we can have another chance at life. Like at any moment, we can be born all over again.  7x01

7x01

7x02

April: Dr. Shepherd, the Chief is looking for you.
Derek: I know.
April: You missed the wedding last night.
Derek: I know.
April: You smell like pee.
Derek: I know! 7x02

Derek: How was the wedding?

Meredith: It was fine. I’m sorry you missed it.

Derek: Yeah, well I was busy getting an incarceration record. Do you know what that means?

Meredith: It means you drive too fast, god. Derek, you smell like -

Derek: I know what I smell like.

Meredith: I have to go to the pit.

Derek: They cleared you for surgery?

Meredith: No, but I can still do consult. So sorry, bye.

Derek: We’re not done talking about this. 7x02

ARIZONA: Okay, I’m not saying rip out walls. I’m saying throw some paint up on them. You know, soften it up. Yang decorated the place for her and it’s just a little harsh and.. frowny.
CALLIE: Oh, okay. I’m gonna stop you right there, cause Yang doesn’t decorate. I decorated that place. It’s my frowny place.
ARIZONA: I meant modern and.. edgy. [Callie laughs] If it’s gonna be our place, I just need it to be a little more.. smiley.
CALLIE: [gets a page] Ugh. God. [starts to walk away] Frowny?
ARIZONA: Edgy. 7x02

CALLIE: [Arizona clears her throat] Oh. [Arizona holds up paint color palettes] Ugh. What are these?
ARIZONA: Choices.
CALLIE: They’re all beige.
ARIZONA: No. They’re all subtle. Look, pastels and earth tones. If you look closely, that’s blue, that’s green, that’s yellow— to take the edge off all the chrome and concrete. What do you think? 
CALLIE: I think I don’t want to live in an easter basket.
ARIZONA: I know. You really wanna live in the bat cave. But meet me halfway.
CALLIE: [on the phone] Uh, yes. Shultz, Kerry? Yes, thank you. [to Arizona] K, uh, my patient’s scans are up, and uh, seriously.. they’re all beige to me. [walks away]
ARIZONA: W-Well then it shouldn’t be hard to pick one. 7x02

MEREDITH: You’re a popular girl.
KERRY: No, I’m sure he’s just overexcited. It is like a one in a million thing.
LEXIE: Actually, it’s more like a 1 in 6,250 kinda thing. Lightning kills between 150 and 300 people every year in the U.S. alone.
MEREDITH: Lexie.
LEXIE: No, I mean, it’s- it’s still rare. I mean, it’s not like, say handgun death. I mean, that’s 1 in 325.
MARK: Lexie. You okay?
LEXIE: Yeah. No, I’m saying- I’m saying she’s lucky. That’s- You know, yay you. 7x02

[Bailey bumps into Alex, who’s coming from the opposite direction]
BAILEY: Wa… WATCH IT!
ALEX: Sorry.
BAILEY [has her hand on Alex’s chest and looks at him questioningly]: Karev?
ALEX: Dr. Bailey?
BAILEY: You still have that bullet in your chest?
ALEX: Uh, oh yeah. It worked its way to the surface. It’s fine. We leave bullets in people all the time. [pats her hand and starts to leave]
BAILEY: It must hurt, does it hurt?
ALEX: Uh, nope.
BAILEY: Does it hurt when I do this? [pokes him]
ALEX: Ow! Damn!
BAILEY: It is not fine! It is foreign and it has no business being in your body. Get it out Karev. Or I will see that you do not operate until you are operated on. 7x02

Meredith: I thought you were in surgery.
Alex: Yeah, the guy pulled through. Is Lexie okay?
Meredith: Why don’t you ask her yourself?
Alex: She doesn’t need me talking to her.
Meredith: Well, you’re the one who ended it.
Alex: Yeah, it ended the way it always ends. I get close to the chick, chick goes crazy. Rebecca, and Izzie, my mom. I’m a lightning rod for this crap.
Meredith: You’re not that special. Lexie’s not crazy. She had crazy thing happen to her. And her reaction was pretty normal. And Izzie had brain cancer. Rebecca -  she’s crazy. But that was the facial reconstruction trauma. You’re not a lightning rod, Alex. You’re just a guy who’s been through a lot of crap. I wish I had a scalpel right now.
Alex: Junkie. 7x02

Cristina: Really?
Meredith: This is what I’m cleared to do. I’m cleared to solve this puzzle. Don’t buy a vowel, you idiot.
Cristina: Scarlet Pimpernel.
Meredith: … How did you — there was one ‘C’ and an ‘M’!
Cristina: Hey, have you talked to Derek yet, about the…?
Meredith: Today’s not the day.
Cristina: Right. Just got outta the joint. Let him ease back into society. 7x02

7x02

MARK: Tell me something.
CALLIE: Hmm?
MARK: A person gets out of the nuthouse.. 
CALLIE: Mhmm.
MARK: What’s the appropriate amount of time to wait before you propose?
CALLIE: What? Long. Long..er. Long. A long time. Not now.
MARK: Specifically how long? 7x02

DEREK: Good catch, Dr. Grey.
LEXIE: Thank you. And, um, thank you for listening to me and for not being afraid of me.
DEREK: Nobody’s afraid of you.
LEXIE: Mark’s keeping me chained to his service. He’s keeping me out of surgeries.
DEREK: He’s afraid for you, so he hovers. Other people might lock you in a cell overnight to be urinated on by a meth head, but it all comes from the same place.

JACKSON: I’m glad you’re back. That we’re gonna be in there together. Makes me a little less freaked out is what I’m saying.
CRISTINA: Is this gonna become a thing? You sharing all your sad, scared feelings because we almost got shot together.
JACKSON: There it is. Now I know you’re back. 7x02

Meredith: Cristina. Cristina!

Cristina: I can’t be in here. I can’t.
Meredith: Okay, so, let’s go. Let’s get out of here.
Cristina: I can’t — I can’t feel anything.
Meredith: I know, I know. Come with me.
Cristina: No, no, I — I can’t move. I can’t move my legs. I can’t feel anything.
Meredith: Um. Feel my hand, take my hand. Do you feel that?
Cristina: Uh huh.
Meredith: Okay. You’re okay. We’re gonna go when you’re ready, okay? So, you tell me when you’re ready. 7x02

Derek: Hey, I heard about Cristina. Is she alright?
Meredith: No, she’s not alright. No one’s alright and that idiot is clearing everyone for surgery like they’re fine and they’re not fine.
Derek: Stop, I need to talk to you.
Meredith: Just leave it alone, Derek. It was one night in jail, you drive too fast, just forget about it.
Derek: I don’t want to talk about that, don’t worry about that.
Meredith: Don’t worry about it? All I do is worry! All the time, I spend every minute of every day worrying that I’m gonna get a phone call that you wrapped your car around a pole. That’s why I left you in jail, so that just for a little while I would know that you weren’t dying like you were dying on that table. That’s what I think about every time you pull out of the driveway.
Derek: I’m right here. I’m okay. We’re okay.
Meredith: I was pregnant that day. I was pregnant and I lost it.
Derek: I — you didn’t say anything. I could’ve helped you.
Meredith: If you wanna help me, your driving is something you can control. Just do that. 7x02

MARK: Lexie.
LEXIE: Did I forget to clean something?
MARK: No, I just need to talk to you.
LEXIE: No. You don’t though. I know that you want to be here, but you don’t have to.  
MARK: Wait. 
LEXIE: I went through a rough patch, and you helped me, and I appreciate that. But I am moving out of it and you won’t let me. You know, you’re treating me like I am a basketcase, and- and everyone is watching you, and they’re believing you. I had a good day today. I saved a girl today. I did that. I am a good doctor, and I don’t deserve for people to think that I am anything less than that. So could you please just leave me alone? Can you do that? Can you just leave me alone?
MARK: You got it. 7x02 

OWEN: Cristina? You don’t feel nothing. Alright? You didn’t feel nothing today. You felt scared. You were terrified and you felt angry. You were angry at me. After what you’ve been through, you’re allowed. Alright? That’s what you should be feeling. I know, because when I was there, I felt all those things, and I- I took it all out on you. And you were patient, and you were kind, and you stayed through it all. Because you love me. You love me. So, uh, you can be scared with me, or you can be pissed with me, or at me. I don’t care cause I’m gonna stay through it all. I’m not going anywhere, Cristina. I’m not going anywhere without you.

CRISTINA: Let’s go home.
MEREDITH: I had already fixed her before you came, but that was a nice speech. 7x02

7x03

Owen: My wife’s sleeping in your bed
Derek: Yes, she is- with Meredith. Technically she’s sleeping with Meredith. I’m on the other side of the bed.
Owen: That… I’m sorry. Don’t you find that a little strange?
Derek: Ummm. did you see E.T.?
Owen: Me, yeah. Years ago. Why?
Derek: Remember the kid, Elliot? He and E.T. had this weird and disturbing bond. If he got sick, E.T. got sick. If E.T. got drunk, Elliot got drunk.
That’s kinda like Cristina and Meredith. Meanwhile, you and I are like the, um, government guys in the white hazmat suits. You know we’re trying to steer them into the right direction, but in the end we just don’t understand.
Owen: Uh, and you’re ok with that?
Derek: I fish, I’m building a house, I’ve recently taken up golf… it helps.
I’m looking out for her.
Owen: Thank you. 7x03

CALLIE: Look away.

MARK: What?

CALLIE: Stop staring at her.

MARK: I can’t.

CALLIE: Her last words to you were, ‘Leave me alone. Leave me alone. Leave me alone.’ Only louder. Look away.

MARK: Maybe she just needed a little more time. [Callie looks at him] I’ll try to look away.

CALLIE: Thank you.

BAILEY: Hey! Give me back my bottle!

CALLIE: Teddy needs it. She’s pathetic.
TEDDY: That’s right.
ARIZONA: Mhmm.
BAILEY: You finish it, I’ll hurt you.
ARIZONA: We’re gonna live in a frat house forever, aren’t we?
CALLIE: No. Meredith’s is a frat house. Our place is just that off-campus apartment where the burnouts go to buy pot. 7x03

CRISTINA: We have to get our own place.

OWEN: Yeah.

George: It’s horrible. The sex. With Izzie…[whispers] horrible. It’s like she’s trying to hard i-its…you ever seen a porno? Not that Izzie’s a porno; she’s an angel, but it’s like she’s trying to…channel a porn star and she’s trying to act all dirty and sexy, which sounds great, right? But in reality I just wanna say, “Izzie, just because you can do that with your legs doesn’t mean that you should.

Meredith: [Winces and sticks her finger in her ear] Eh… I wanna run.
George: Run, run. Run now!

1 year ago  /  0 notes